This book explores the ways in which films of Johannesburg assist residents of the city to bridge the divisions and inequalities of contemporary urban space through the four lenses of materiality, identity, mobility, and crime. Films influence the everyday practices of urban residents and contribute to their knowledge of the city. Urban Film and Everyday Practice examines the relationship between the city, and its representations through the four themes, to deconstruct the complexity of the city and to understand the complicated nature of residents' interactions with urban space. Johannesburg serves as a case study for examining the divisions and inequalities that cities around the globe are currently facing.

Autorentext
 Alexandra Parker is a postdoctoral research fellow at the University of the Witwatersrand, South Africa. She teaches first year courses in the Wits School of Architecture and Planning, South Africa. She serves on the Johannesburg Heritage Foundation board, actively campaigning to save the city's heritage.  

Zusammenfassung
While urban films often reinforce spatial stereotypes, they can also produce a resistant reading that helps transgress spatial boundaries, especially in in urban contexts where spatial inequalities and urban divisions are stark. This book reveals the nature of urban film's influence through the lens and space of Johannesburg.

Inhalt
1 Film in Divided Cities.- 2 Johannesburg the Divided city.- 3 Physical Materiality and Imageability.- 4 Identity.- 5 Mobility.- 6 Crime and the Tsotsi.- 7 The Influence of Film.- Annexure: Method.