Through innovative and controversial readings of Victorian Gothic and 'sensation' fiction, this book interrogates current feminist assumptions about the relation of women to the private sphere, and reveals the unexpectedly radical potential of this association. It is argued that this potential is an intrinsic aspect of the 'female' Gothic tradition traceable back to Ann Radcliffe. A new typology of 'male' and 'female' Gothic is shown to be relevant to contemporary French feminist debates about sexual difference.

Autorentext

ALISON MILBANK

Inhalt

Acknowledgements - Introduction - Breaking and Entering: Wilkie Collins's Sensation Fiction - Hidden and Sought: Wilkie Collins's Gothic Fiction - Housekeepers: Bleak House - Ruination: Little Dorrit - In the Passages of Desire: Great Expectations - Handling the Veil: Charlotte Bronte's Gothic Fiction - The Haunted House: Sheridan Le Fanu - Habitations of Symbols: Uncle Silas - Conclusion: Through the Looking-Glass - Index