Intermedial Shakespeares argues that intermediality has refashioned performances of Shakespeare's plays over the last two decades in Europe. It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice.

Autorentext
Aneta Mancewicz is Lecturer in Drama at the Kingston University, UK. She was Marie Curie Research Fellow at the Royal Central School of Speech and Drama. She is the Editor for Europe at the Global Shakespeares Video and Performance Archive, Massachusetts Institute of Technology, USA and co-convener of the Intermediality working group of the International Federation for Theatre Research.

Inhalt
1 Introduction 2 Drama: Intermedial Texture 3 Time and Space: Intermedial Stratigraphy 4 Actors and Audiences: Intermedial Mirror 5 New Media as Old Media 6 Digital Intermediality without Digital Technology 7 Conclusions Appendix: Table of Performances Notes Cited Works Index