100 British Crime Writers

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: 'The Victorians, Edwardians, and World War One, 1855-1918'; 'The Golden Age and World War Two, 1919-1945'; 'Post-War and Cold War, 1946-1989'; and 'To the Millennium and Beyond, 1990-2015', each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.

Autorentext

Esme Miskimmin is a Senior Lecturer in English Literature at the University of Liverpool, UK. She has research interests in Renaissance drama as well as crime writing, and sometimes combines the two.

Klappentext
100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: 'The Victorians, Edwardians, and World War One, 1855-1918'; 'The Golden Age and World War Two, 1919-1945'; 'Post-War and Cold War, 1946-1989'; and 'To the Millennium and Beyond, 1990-2015', each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.

Zusammenfassung

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: 'The Victorians, Edwardians, and World War One, 1855-1918'; 'The Golden Age and World War Two, 1919-1945'; 'Post-War and Cold War, 1946-1989'; and 'To the Millennium and Beyond, 1990-2015', each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.

Inhalt

1. Caroline Clive, Paul Ferroll (1855), Adrienne E. Gavin.- 2. Wilkie Collins, The Woman in White (1860), Adrienne E. Gavin.- 3. Mrs Henry Wood, East Lynne (1861), Anne-Marie Beller.- 4. Mary Elizabeth Braddon, Lady Audley's Secret (1862), Adrienne E. Gavin.- 5. Arthur Conan Doyle, A Study in Scarlet (1887), Anne-Marie Beller.- 6. George R. Sims, The Case of George Candlemas (1890), Esme Miskimmin.- 7. C. L. Pirkis, 'Loveday Brook' stories (1893), Adrienne E. Gavin.- 8. Arthur Morrison, 'Martin Hewitt' stories (1894), Nick Freeman.- 9. E. Phillips Oppenheim, The Mysterious Mr Sabin (1898), Alexandra Phillips.- 10. E. W. Hornung The Amateur Cracksman (1899).- 11. Baroness Orczy, 'The Old Man in the Corner' stories (1901), Suzanne Bray.- 12. Erskine Childers, The Riddle of the Sands (1903), Christopher Routledge.- 13. Edgar Wallace, The Four Just Men (1905), Stephen Knight.- 14. R. Austin Freeman, The Red Thumb Mark (1907), Nick Freeman.- 15. G. K. Chesterton, The Man Who Was Thursday (1908), Christopher Routledge.- 16. Edwy Searles Brooks, 'Sexton Blake' stories (1912), Lucy Andrew.- 17. Sax Rohmer, 'Fu Manchu' stories (1912), Steven Powell.- 18. E. C. Bentley, Trent's Last Case (1913), Suzanne Bray.- 19. Ernest Bramah, Max Carrados (1914), Nick Freeman.- 20. John William Bobin, Sexton Blake Library (1915), Lucy Andrew.- 21. John Buchan, The Thirty-Nine Steps (1915), Alexandra Phillips.- 22. H. C. Bailey, Call Mr Fortune (1920), Megan Hoffman.- 23. Agatha Christie, The Mysterious Affair at Styles (US 1920; UK 1921), Delphine Cingal.- 24. Freeman Wills Crofts, The Cask (1920), Diana Powell.- 25. H. C. McNeile, (a.k.a. Sapper) Bulldog Drummond (1920), Alexandra Phillips.- 26 and 27. G. D. H. Cole and Margaret Cole, The Brooklyn Murders (1923), Victoria Stewart.- 28. Dorothy L. Sayers, Whose Body? (1923), Esme Miskimmin.- 29. Patricia Wentworth, The Astonishing Case of Jane Smith (1923), Delphine Cingal.- 30. Philip MacDonald, The Rasp (1924), Alexandra Phillips.- 31. Anthony Berkeley, The Layton Court Mystery (1925), Christine R. Simpson.- 32. Margery Allingham, The White Cottage Mystery (1928), Jasmine Simeone.- 33. Graham Greene, The Man Within (1929), Steven Powell.- 34. Gladys Mitchell, Speedy Death (1929), Christine R. Simpson.- 35. Josephine Tey, The Man in the Queue (1929), Christine R. Simpson.- 36. Elizabeth Ferrars, Turn Single (1932), Victoria Stewart.- 37. Georgette Heyer, Footsteps in the Dark (1932), Greg Rees.- 38. C. P. Snow, Death Under Sail (1932), Christine R. Simpson.- 39. Ngaio Marsh, A Man Lay Dead (1934), Kate Watson.- 40. Eric Ambler, The Dark Frontier (1935), Steven Powell.- 41. Nicholas Blake, A Question of Proof (1935), Esme Miskimmin.- 42. Daphne du Maurier, Jamaica Inn (1936), Megan Hoffman.- 43. Michael Innes, Death at the President's Lodging (1936), Christopher Routledge.- 44. John Creasey, Meet the Baron (1937), Martin Lightening.- 45. Francis Durbridge, Send for Paul Temple (1938), Victoria Stewart.- 46. Enid Blyton, *Five on a Trea...