The Colmar literary figure, Meistersinger, and painter Jörg Wickram employed the pictorial dimension of his early modern romances as a creative backdrop for his narrative. This book engages in a comprehensive analysis of the narrative, para-textual and trans-textual structure of the romances Galmy (1539), Gabriotto und Reinhart (1551), Knabenspiegel (1554), and Goldfaden (1557) to examine the diverse influences of intermedial structural elements.

Autorentext

Raphael Kuch, Karlsruhe, Germany.