From 1925 onward, New Objectivity quickly spread from painting and literature to diverse art disciplines in Germany and, as Nieuwe Zakelijkheid, also to the Netherlands. In order to elicit and explain the commonalities and specifics of each national reception, this anthology brings research perspectives from German and Dutch studies into direct dialog for the first time, thus generating new impetus for both disciplines.

Autorentext
Ralf Grüttemeier, Janka Wagner und Haimo Stiemer, Universität Oldenburg.