The poems that Hölderlin wrote between 1800 and 1806 draw on traditions and discourses in religion, the arts, and natural science in order to develop a Neue Religion (New Religion). Five poems are taken as examples in order to investigate the syncretistic combining of coherent bodies of knowledge and the ambiguity of the religious concepts employed. The various connotations upon which the New Religion is based are thus brought to light.

Autorentext
Moritz Strohschneider, Ludwig-Maximilians-Universität München.

Zusammenfassung

The series "QUELLEN UND FORSCHUNGEN ZUR LITERATUR- UND KULTURGESCHICHTE" (Sources and Research in the History of Literature and Culture), with a rich tradition stretching back to 1874, is an established feature among the renowned publications for German Literary Studies. Edited by Mark-Georg Dehrmann and Christiane Witthöft, the series presents examples of high-quality scholarship examining literary texts in conjunction with historical cultural phenomena, particularly with the other arts. There is an explicit demand for literary studies with a transdisciplinary approach. German literature from the Middle Ages to the present day forms the main focus of the series.

As the historical cultural thrust of the series includes aspects of intercultural experience and national perceptions of the other, Quellen und Forschungen is also open to occasional comparative studies. The publications of the series include monographs, doctoral and professorial theses. Works presented for acceptance in the series are required to display scholarly relevance and excellence in method and presentation.