Dante's Divine Comedy triggered multiple processes of reception. This book reflects on their diversity, offering explanatory readings of single cantos and themes, insights into literary adaptations and reformulations, as well as essays devoted to aesthetic transformational processes contained the work. The contributors include art historians and literary scholars from different specialties.

Autorentext

Stephanie Heimgartner und Monika Schmitz-Emans, Ruhr-Universität Bochum.