This volume suggests an entanglement and practice history for literary modernism that no longer follows a great narrative of autonomous aesthetics, for many avant-garde projects developed against the backdrop of a heteronomous entity thought to be superior as primitivism, as religious mysticism, as a critique of or faith in science, as political partisanship, or as a historico-philosophical mission.

Autorentext

Irene Albers, Free University Berlin; Marcus Hahn and Frederic Ponten, University of Regensburg, Germany.