The sublime helps Hegel to an aesthetic description of Judaism and clarifies the close association between art and religion in his thinking. Friedemann Barniske taps into Hegel's conception of the sublime against the background of his logic and theory of symbols to reveal theological perspectives for modern Christianity.

Autorentext
Geboren 1980; 2002-09 Studium der Ev. Theologie in Halle a. d. Saale, Jerusalem, Göttingen und Neuendettelsau; 2010-13 Vikariat; 2013 Ordination zum Pfarrer der ELKB; 2018 Promotion; seit 2014 wissenschaftlicher Assistent am Lehrstuhl für Systematische Theologie der Augustana-Hochschule Neuendettelsau.