This book examines paranoia as a media pathology. It considers conspiracy narratives with regard to their handling of technical images and asks to what extent we can recognize an implicit knowledge of photographic media and technologies, of their paranoid constitution and paranoia-inducing effects. The overarching aim is to describe a specifically paranoid form of media knowledge.

Autorentext

Elena Meilicke, Institut für Theorie und Praxis der Kommunikation, Universität der Künste Berlin.