These conference proceedings on critical editions in the area of musical theater contain papers that approach the topic from diverse perspectives. The scope of the subject matter ranges from classical Italian libretto to experimental forms of musical theater. In addition to illustrative projects, predominantly from the field of digital editions, the papers also address theoretical considerations.

Autorentext

Thomas Betzwieser, Universität Frankfurt/M.; Norbert Dubowy, Stiftung Mozarteum, Salzburg; Andreas Münzmay, Universität Paderborn