The Late-Victorian Little Magazine

Informationen zum Autor Koenraad Claes is Lecturer in English Literature at Anglia Ruskin University (Cambridge, UK). He has published on several topics related to British literature and print culture of the long nineteenth century, focusing on the Romantic period and the Victorian Fin de Siècle. He serves as the Managing Editor for the journal Authorship and as the Biographies Acquisitions Editor for the online resource Yellow Nineties 2.0. Klappentext 'A notable intervention in the history of little magazines that counters the modernist-centric focus of the field. This detailed and much-needed account of late-Victorian little magazines deftly argues for the importance of these publications in this history, attending carefully to the aesthetic, material, social and political contexts of their production.'Kirsten MacLeod, Newcastle UniversityThe first monograph to chart the origins and development of the little magazine genre in the Victorian periodTired of the commercial and moral restrictions of the mainstream press, the diverse avant-garde groups of authors and artists of the Aesthetic Movement developed a new genre of periodicals in which to propagate their principles and circulate their work. Such periodicals are known as 'little magazines' for their small-scale production and their circulation among limited audiences, and during the late Victorian period they were often conceptualised as integrated designs or total works of art in order to visually and materially represent the ideals of their producers.Little magazines like such as the Pre-Raphaelite Germ, the Arts & Crafts Hobby Horse and the decadent Yellow Book launched the careers of innovative authors and artists and provided a site for debate between minor contributors and visiting grandees from Matthew Arnold to Oscar Wilde. This book offers detailed discussions of the background to thirteen major little magazines of the Victorian era, both situating these within the periodical press of their day and providing interpretations of representative items. In doing so, it outlines the earliest history of this enduring publication genre and of the Aesthetic Movement that developed along with it.Koenraad Claes is a Postdoctoral Research Fellow with the Research Foundation Flanders, based at the Department of Literary Studies at Ghent University (Belgium).Cover image: 'The Quest of the Soul's Desire' Ernest Treglown, frontispiece for Quest 1 (November 1894)Cover design:[EUP logo]edinburghuniversitypress.comISBN 978-14744-2621-3BarcodeThis book offers detailed discussions of the background to thirteen major little magazines of the Victorian era, both situating these within the periodical press of their day and providing interpretations of representative items. Inhaltsverzeichnis AcknowledgementsIntroduction1. The Germs of a Genre: The Germ and the Oxford and Cambridge Magazine2. Mounting the (Century Guild) Hobby Horse3. The Little Magazine as a Periodical Portfolio: the Dial, the Pagan Review and the Page4. Selling the Yellow Nineties: the Yellow Book and the Savoy5. Politicised Aestheticism outside London: the Quest and the Evergreen6. Little Excursions Outside the Avant-Garde: the Pageant, the Parade and the DomeIndex...

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'A notable intervention in the history of little magazines that counters the modernist-centric focus of the field. This detailed and much-needed account of late-Victorian little magazines deftly argues for the importance of these publications in this history, attending carefully to the aesthetic, material, social and political contexts of their production.' Kirsten MacLeod, Newcastle University The first monograph to chart the origins and development of the little magazine genre in the Victorian period Tired of the commercial and moral restrictions of the mainstream press, the diverse avant-garde groups of authors and artists of the Aesthetic Movement developed a new genre of periodicals in which to propagate their principles and circulate their work. Such periodicals are known as 'little magazines' for their small-scale production and their circulation among limited audiences, and during the late Victorian period they were often conceptualised as integrated designs or total works of art in order to visually and materially represent the ideals of their producers. Little magazines like such as the Pre-Raphaelite Germ, the Arts & Crafts Hobby Horse and the decadent Yellow Book launched the careers of innovative authors and artists and provided a site for debate between minor contributors and visiting grandees from Matthew Arnold to Oscar Wilde. This book offers detailed discussions of the background to thirteen major little magazines of the Victorian era, both situating these within the periodical press of their day and providing interpretations of representative items. In doing so, it outlines the earliest history of this enduring publication genre and of the Aesthetic Movement that developed along with it. Koenraad Claes is a Postdoctoral Research Fellow with the Research Foundation Flanders, based at the Department of Literary Studies at Ghent University (Belgium). Cover image: 'The Quest of the Soul's Desire' Ernest Treglown, frontispiece for Quest 1 (November 1894) Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-14744-2621-3 Barcode

Résumé
This book offers detailed discussions of the background to thirteen major little magazines of the Victorian era, both situating these within the periodical press of their day and providing interpretations of representative items.

Contenu

Acknowledgements

Introduction

1. The Germs of a Genre: The Germ and the *Oxford and Cambridge Magazine *
2. Mounting the (Century Guild) *Hobby Horse *
3. The Little Magazine as a Periodical Portfolio: the Dial, the Pagan Review and the *Page *
4. Selling the Yellow Nineties: the Yellow Book and the *Savoy *
5. Politicised Aestheticism outside London: the Quest and the *Evergreen *
6. Little Excursions Outside the Avant-Garde: the Pageant, the Parade and the *Dome *

Index