The Last Plantagenet Consorts

An examination of fifteenth-century British queens through literature and history.

Finn's excellent study is one of the first of its kind to engage with early chronicle sources' complex depictions of historical royal women. Her lucid explanation of the influence of generic traditions of romance narratives and de casibus tragedy on historiography is a crucial piece of the puzzle that is the historical and literary representation of queenship, and her introduction of so many varied texts invites further investigation of this rich area of study. (Allison Machlis Meyer, English Studies, Vol. 97 (4), 2016)

"This book makes a significant contribution to the debate about defining female identity and will be of interest to, among others, scholars in English literature, drama, history, and gender studies. Utilizing a wide range of documents, Mudan Finn examines representations of the last Plantagenet consorts as a way of revealing authorial anxietiesand fears concerning these women's exercise of power." - Renaissance Quarterly

"The Last Plantagenet Consorts combines exhaustive research with a subtle and complex argument about historiography, female agency, and the power of narrative - topics that remain provocative and timely." - Journal of British Studies

Auteur
Kavita Mudan holds a doctorate in English Language and Literature from University of Oxford, Linacre College.

Texte du rabat

An examination of fifteenth-century British queens through literature and history.

Résumé
An examination of fifteenth-century British queens through literature and history.

Contenu
Narrating Queens in the Fifteenth Century 'By Meane of a Woman': Changing the Subject in Polydore Vergil's Anglica Historia and Sir Thomas More's History of King Richard the Third 'The point of a very woman': Gendering Destabilization in Edward Hall's Union and Raphael Holinshed's Chronicle Queens in the Margins: Allegorizing Anxiety in A Mirror for Magistrates Performing Queenship in Legge's Richardus Tertius, The True Tragedy of Richard III, and Heywood's Edward IV 'A Queen in Jest': Queenship and Historical Subversion in Shakespeare's First Tetralogy 'The Fetters of Her Sex': Voicing Queens in the Historical Poetry of Michael Drayton and Samuel Daniel