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Beautifully written, rigorously researched, and intimately reported, Behind the Beautiful Forevers makes indelible the lives of individuals who are too often invisible, and whose courage is impossible to forget.
Zusatztext 102669302 Informationen zum Autor Katherine Boo is a staff writer at The New Yorker and a former reporter and editor for The Washington Post . Her reporting has been awarded a Pulitzer Prize, a MacArthur Genius grant, and a National Magazine Award for Feature Writing. For the last decade, she has divided her time between the United States and India. This is her first book. Klappentext NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME'S TEN BEST NONFICTION BOOKS OF THE DECADE "Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care."-People NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • O: The Oprah Magazine • USA Today • New York • The Miami Herald • San Francisco Chronicle • Newsday In this brilliant, breathtaking book by Pulitzer Prize winner Katherine Boo, a bewildering age of global change and inequality is made human through the dramatic story of families striving toward a better life in Annawadi, a makeshift settlement in the shadow of luxury hotels near the Mumbai airport. As India starts to prosper, the residents of Annawadi are electric with hope. Abdul, an enterprising teenager, sees "a fortune beyond counting" in the recyclable garbage that richer people throw away. Meanwhile Asha, a woman of formidable ambition, has identified a shadier route to the middle class. With a little luck, her beautiful daughter, Annawadi's "most-everything girl," might become its first female college graduate. And even the poorest children, like the young thief Kalu, feel themselves inching closer to their dreams. But then Abdul is falsely accused in a shocking tragedy; terror and global recession rock the city; and suppressed tensions over religion, caste, sex, power, and economic envy turn brutal. With intelligence, humor, and deep insight into what connects people to one another in an era of tumultuous change, Behind the Beautiful Forevers, based on years of uncompromising reporting, carries the reader headlong into one of the twenty-first century's hidden worlds-and into the hearts of families impossible to forget. WINNER OF: The PEN/John Kenneth Galbraith Award • The Los Angeles Times Book Prize • The American Academy of Arts and Letters Award • The New York Public Library's Helen Bernstein Book Award NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • People • Entertainment Weekly • The Wall Street Journal • The Boston Globe • The Economist • Financial Times • Newsweek/The Daily Beast • Foreign Policy • The Seattle Times • The Nation • St. Louis Post-Dispatch • The Denver Post • Minneapolis Star Tribune • Salon • The Plain Dealer • The Week • Kansas City Star • Slate • Time Out New York • Publishers Weekly Leseprobe 1. Annawadi LET IT KEEP, the moment when Officer Fish Lips met Abdul in the police station. Rewind, see Abdul running backward, away from the station and the airport, shirt buttons opening as he flies back toward his home. See the flames engulfing a disabled woman in a pink- flowered tunic shrink to nothing but a matchbook on the floor. See Fatima minutes earlier, dancing on crutches to a raucous love song, her delicate features unscathed. Keep rewinding, back seven more months, and stop at an ordinary day in January 2008. It was about as hopeful a season as there had ever been in the years since a bitty slum popped up in the biggest city of a country that holds one-third of the planet's poor. A country dizzy now with development and circulating money. Dawn came gusty, as it often did in January, the month of treed kites and head colds. Because his family lacked the floor space for all of its members to lie down, Abdul was asleep on the gritty maid...
“This book is both a tour de force of social justice reportage and a literary masterpiece.”—Judges’ Citation for the PEN/John Kenneth Galbraith Award
“A book of extraordinary intelligence [and] humanity . . . beyond groundbreaking.”—Junot Díaz, The New York Times Book Review
“Reported like Watergate, written like Great Expectations, and handily the best international nonfiction in years.”—New York
“Incandescent writing and excruciatingly good storytelling.”—The Philadelphia Inquirer
 
“Outstanding.”—USA Today
 
“A richly detailed tapestry of tragedy and triumph told by a seemingly omniscient narrator with an attention to detail that reads like fiction while in possession of the urgent humanity of nonfiction.”—Los Angeles Times
 
“Rends the heart, thrills the mind, pricks the conscience, and burns the pages.”—Washingtonian
“[An] exquisitely accomplished first book. Novelists dream of defining characters this swiftly and beautifully, but Ms. Boo is not a novelist. She is one of those rare, deep-digging journalists who can make truth surpass fiction, a documentarian with a superb sense of human drama. She makes it very easy to forget that this book is the work of a reporter. . . . Comparison to Dickens is not unwarranted.”—Janet Maslin, The New York Times
 
“A jaw-dropping achievement, an instant classic of narrative nonfiction . . . With a cinematic intensity . . . Boo transcends and subverts every cliché, cynical or earnest, that we harbor about Indian destitution and gazes directly into the hearts, hopes, and human promise of vibrant people whom you’ll not soon forget.”—*Elle
“A shocking—and riveting—portrait of life in modern India . . . This is one stunning piece of narrative nonfiction. . . . Boo’s prose is electric.”—O: The Oprah Magazine
 
“[A] landmark book.”—The Wall Street Journal
 
“Moving . . . a humane, powerful and insightful book . . . a book of nonfiction so stellar it puts most novels to shame.”—The Boston Globe
“A mind-blowing read.”—Redbook
 
“An unforgettable true story, meticulously researched with unblinking honesty . . . pure, astonishing reportage with as unbiased a lens as possible.”—The Christian Science Monitor
 
“The most riveting Indian story since Slumdog Millionaire—except hers is true.”—*Marie Claire