Zusatztext Her book is thrilling . . . a living! sharp! memorable book . . . An exact! candid! and penetrating account of personal terror and bereavement . . . sometimes quite funny because it dares to tell the truth. Robert Pinsky! The New York Times Book Review (cover) An act of consummate literary bravery! a writer known for her clarity allowing us to watch her mind as it becomes clouded with grief . . . It also skips backward in time [to] call up a shimmering portrait of her unique marriage . . . To make her grief real! Didion shows us what she has lost. Lev Grossman! Time I can't think of a book we need more than hers . . . I can't imagine dying without this book. -John Leonard! New York Review of Books Achingly beautiful . . . We have come to admire and love Didion for her preternatural poise! unrivaled eye for absurdity! and Orwellian distaste for cant. It is thus a difficult! moving! and extraordinarily poignant experience to watch her direct such scrutiny inward. Gideon Lewis-Kraus! Los Angeles Times Stunning candor and piercing details . . . An indelible portrait of loss and grief . . . [A] haunting portrait of a four-decade-long marriage. Michiko Kakutani! The New York Times Informationen zum Autor Joan Didion Klappentext "this happened on December 30, 2003. That may seem a while ago but it won't when it happens to you . . . In this dramatic adaptation of her award-winning, bestselling memoir (which Michiko Kakutani in The New York Times called "an indelible portrait of loss and grief . . . a haunting portrait of a four-decade-long marriage), Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play. The first theatrical production of The Year of Magical Thinking opened at the Booth Theatre on March 29, 2007, starring Vanessa Redgrave and directed by David Hare.1 This happened on december 30, 2003. That may seem a while ago but it won't when it happens to you. And it will happen to you. The details will be different, but it will happen to you. That's what I'm here to tell you. We had come home. "Home" meaning an apartment on the Upper East Side of Manhattan. Early evening, maybe eight o'clock. We discussed whether to go out or eat in. I said we could stay in, I would build a fire. The fire was the point. In California we heated our houses by building fires. In Malibu we built fires even on summer evenings, because the fog came in. Fires said we were home, we had drawn the circle, we were safe through the night. I built the fire. I drew the circle. I have no memory of what I meant to have for dinner. Memory stops. The frame freezes. You'll find that's something that happens. I warned you. I'm telling you what you need to know. You see me on this stage, you sit next to me on a plane, you run into me at dinner, you know what happened to me. You don't want to think it could happen to you. That's why I'm here. John was in his office. I got him a drink. He sat down by the fire to read. He was reading a bound galley of David Fromkin's Europe's Last Summer: Who Started the Great War in 1914? I set the table in the living room, where we could see the fire. I must have noticed that later. The name of the book. I eventually read it myself, but found no clues. Wait. I was telling you what happened. He wanted a second drink. I got it. He asked if I had used single-malt scotch for the second drink. I said I had used whatever I used for the first drink. "Good," he said. "I don't know why but I don't think you should mix them." I was at the table, making a salad. He was sitting across from me, talking. ...

8220;Her book is thrilling . . . a living, sharp, memorable book . . . An exact, candid, and penetrating account of personal terror and bereavement . . . sometimes quite funny because it dares to tell the truth.”

–Robert Pinsky, The New York Times Book Review (cover)

“An act of consummate literary bravery, a writer known for her clarity allowing us to watch her mind as it becomes clouded with grief . . . It also skips backward in time [to] call up a shimmering portrait of her unique marriage . . . To make her grief real, Didion shows us what she has lost.”
–Lev Grossman, Time

“I can’t think of a book we need more than hers . . . I can’t imagine dying without this book.”
-John Leonard, *New York Review of Books

*“Achingly beautiful . . . We have come to admire and love Didion for her preternatural poise, unrivaled eye for absurdity, and Orwellian distaste for cant. It is thus a difficult, moving, and extraordinarily poignant experience to watch her direct such scrutiny inward.”
–Gideon Lewis-Kraus, *Los Angeles Times

*“Stunning candor and piercing details . . . An indelible portrait of loss and grief . . . [A] haunting portrait of a four-decade-long marriage.”
–Michiko Kakutani, The New York Times

Auteur

Joan Didion

Texte du rabat

"this happened on December 30, 2003. That may seem a while ago but it won't when it happens to you . . .”

In this dramatic adaptation of her award-winning, bestselling memoir (which Michiko Kakutani in The New York Times called "an indelible portrait of loss and grief . . . a haunting portrait of a four-decade-long marriage), Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play.

The first theatrical production of The Year of Magical Thinking opened at the Booth Theatre on March 29, 2007, starring Vanessa Redgrave and directed by David Hare.

Résumé
**In this dramatic adaptation of her award-winning, bestselling memoir, Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play.

“This happened on December 30, 2003. That may seem a while ago but it won’t when it happens to you....” 

Michiko Kakutani in The New York Times called the memoir that was the basis for the play, “an indelible portrait of loss and grief ... a haunting portrait of a four-decade-long marriage."

The first theatrical production of The Year of Magical Thinking opened at the Booth Theatre on March 29, 2007, starring Vanessa Redgrave and directed by David Hare.

Échantillon de lecture
1

This happened on december 30, 2003. That may seem a while ago but it won't when it happens to you.

And it will happen to you. The details will be different, but it will happen to you.

That's what I'm here to tell you.

We had come home. "Home" meaning an apartment on the Upper East Side of Manhattan. Early evening, maybe eight o'clock. We discussed whether to go out or eat in. I said we could stay in, I would build a fire.

The fire was the point.

In California we heated our houses by building fires. In Malibu we built fires even on summer evenings, because the fog came in. Fires said we were home, we had drawn the circle, we were safe through the night.

I built the fire. I drew the circle.

I have no memory of what I meant to have for dinner.

Memory stops. The frame freezes. You'll find that's something that happens.

I warned you. I'm telling you what you need to know.

You see me on this stage, you sit next to me on a plane, you run into me at dinner, you know what happened to me.

You don't want to think it could happen to you.

That's why I'm here.

John was in his office. I got him a drink. He sat down by the fire to read. He was reading a bound galley of David Fromkin's Europe's Last Summer: Who Started the Great War in 1914? I set the table in the living room, where we could see the fire.

I must have noticed that later. The name of the book. I eventually read it myself, bu…