Morphology of Meaning in Conceptual Forms

An artistic situation commits itself to the realization of resolution and the ethics of resolution is such that it does not opt for any synchronization governed by any material convention. For that matter it would generally be very difficult to find the laws of determination of the emergence of consequential terms, facts, figures, objects, situations and the events. The nature of difficulty is so much so that the categories which participate in the process of formation of an event in the art become linear and proto-generative in their basic conceptualization. The structure within, to follow the general scheme of linearity, grows and expands in the direction of infinity having no resolution whatsoever in between. In fact, the two basic properties which bring about meaning in any event namely the combination and the selection become disparate and devolve upon inconclusive contexts. Such an order of estimation inclines upon the necessity of two virtually indisposed uncertainties in the form of probability and improbability. In one the existence of totality is presupposed at an uncertain point of transformation while in the other it is never obtained.

Auteur

Bhavatosh IndraGuru has received his Ph.D. from Jawahar Lal Nehru University, New Delhi India. He specialises in Comparative Literature. Presently, he is teaching at the University of Saugor, Sagar, India.Prabha Shankar Dwivedi has obtained M.A. from BHU,Varanasi, India and is pursuing his doctoral research on Bhartrhari & Structuralist Poetics.