The Witching Hour

Informationen zum Autor Anne Rice Klappentext Demonstrating once again her gift for spellbinding stoyrtelling, Anne Rice makes real a family of witches--a family given to poetry and incest, to murder and philsophy, a family that is itself haunted by a powerful, dangerous and seductive being. "Unfolds like a poisonous lotus blossom redolent with luxurious evil." THE LOS ANGELES TIMESThe doctor woke up afraid. He had been dreaming of the old house in New Orleans again. He had seen the woman in the rocker. He'd seen the man with the brown eyes. And even now in this quiet hotel room above New York City he felt the old alarming disorientation. He'd been talking again with the brown-eyed man. Yes, help her. No, this is just a dream. I want to get out of it. The doctor sat up in bed. No sound but the faint roar of the air conditioner. Why was he thinking about it tonight in a hotel room at the Parker Meridien? For a moment he couldn't shake the feeling of the old house. He saw the woman again--her bent head, her vacant stare. He could almost hear the hum of the insects against the screen in the old porch. And the brown-eyed man was speaking without moving his lips. A waxen dummy infused with life-- No, stop it. He got out of bed and padded silently across the carpeted floor until he stood in front of the sheer white curtains, peering out at black sooty rooftops and dim neon signs flickering against brick walls. The early morning light showed behind the clouds above the dull concrete façade opposite. No debilitating heat here. No drowsing scent of roses, of gardenias. Gradually his head cleared. He thought of the Englishman at the bar in the lobby again. That's what had brought it all back--the Englishman remarking to the bartender than he'd just come from New Orleans, and that certainly was a haunted city. The Englishman, an affable man, a true Old World gentleman it seemed, in a narrow seersucker suit with a gold watch chain fixed to his vest pocket. Where did one see that kind of man these days?--a man with the sharp melodious inflection of a British stage actor, and brilliant, ageless blue eyes. The doctor had turned to him and said: "Yes, you're right about New Orleans, you certainly are. I saw a ghost myself in New Orleans, and not very long ago--" Then he had stopped, embarrassed. He had stared at the melted bourbon before him, the sharp refraction of light in the base of the crystal glass. Hum of flies in summer; smell of medicine. That much Thorazine? Could there be some mistake? But the Englishman had been respectfully curious. He'd invited the doctor to join him for dinner, said he collected such tales. For a moment, the doctor had been tempted. There was a lull in the convention, and he liked this man, felt an immediate trust in him. And the lobby of the Parker Meridien was a nice cheerful place, full of light, movement, people. So far away from that gloomy New Orleans corner, from the sad old city festering with secrets in its perpetual Caribbean heat. But the doctor could not tell his story. "If you ever change your mind, do call me," the Englishman had said. "My name is Aaron Lightner." He'd given the doctor a card with the name of an organization inscribed on it: "You might say we collect ghost stories--true ones, that is." The Talamasca We watch And we are always here. It was a curious motto. Yes, that was what had brought it all back. The Englishman and that peculiar calling card with the European phone numbers, the Englishman who was leaving for the Coast tomorrow to see a California man who had lately drowned and been brought back to life. The doctor had read of that case in the New York papers--one of those characters who suffers clinical death and returns after having seen "the light." They had talked...

Auteur

Anne Rice

Texte du rabat

Demonstrating once again her gift for spellbinding stoyrtelling, Anne Rice makes real a family of witches--a family given to poetry and incest, to murder and philsophy, a family that is itself haunted by a powerful, dangerous and seductive being.
"Unfolds like a poisonous lotus blossom redolent with luxurious evil."
THE LOS ANGELES TIMES

Résumé
NEW YORK TIMES BESTSELLER • From the beloved author of the Vampire Chronicles, the first installation of her spellbinding Mayfair Chronicles—the inspiration for the hit television series!

“Extraordinary . . . Anne Rice offers more than just a story; she creates myth.”—The Washington Post Book World
 
Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life. He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him. As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, an intricate tale of evil unfolds.
 
Moving through time from today’s New Orleans and San Francisco to long-ago Amsterdam and a château in the Louis XIV’s France, and from the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, The Witching Hour is a luminous, deeply enchanting novel.  

The magic of the Mayfairs continues:
THE WITCHING HOUR • LASHER • TALTOS

Échantillon de lecture
The doctor woke up afraid. He had been dreaming of the old house in New Orleans again. He had seen the woman in the rocker. He'd seen the man with the brown eyes.

And even now in this quiet hotel room above New York City he felt the old alarming disorientation. He'd been talking again with the brown-eyed man. Yes, help her. No, this is just a dream. I want to get out of it.

The doctor sat up in bed. No sound but the faint roar of the air conditioner. Why was he thinking about it tonight in a hotel room at the Parker Meridien? For a moment he couldn't shake the feeling of the old house. He saw the woman again--her bent head, her vacant stare. He could almost hear the hum of the insects against the screen in the old porch. And the brown-eyed man was speaking without moving his lips. A waxen dummy infused with life--

No, stop it.

He got out of bed and padded silently across the carpeted floor until he stood in front of the sheer white curtains, peering out at black sooty rooftops and dim neon signs flickering against brick walls. The early morning light showed behind the clouds above the dull concrete façade opposite. No debilitating heat here. No drowsing scent of roses, of gardenias.

Gradually his head cleared.

He thought of the Englishman at the bar in the lobby again. That's what had brought it all back--the Englishman remarking to the bartender than he'd just come from New Orleans, and that certainly was a haunted city. The Englishman, an affable man, a true Old World gentleman it seemed, in a narrow seersucker suit with a gold watch chain fixed to his vest pocket. Where did one see that kind of man these days?--a man with the sharp melodious inflection of a British stage actor, and brilliant, ageless blue eyes.

The doctor had turned to him and said: "Yes, you're right about New Orleans, you certainly are. I saw a ghost myself in New Orleans, and not very long ago--" Then he had stopped, embarrassed. He had stared at the melted bourbon before him, the sharp refraction of light in the base of the crystal glass.

Hum of flies in summer; smell of medicine. *That much Tho…