

Beschreibung
Zusatztext 86075304 Informationen zum Autor For his biographies of Robert Moses and Lyndon Johnson, Robert A. Caro has twice won the Pulitzer Prize for Biography, has three times won the National Book Critics Circle Award, and has also won virtually every othe...Zusatztext 86075304 Informationen zum Autor For his biographies of Robert Moses and Lyndon Johnson, Robert A. Caro has twice won the Pulitzer Prize for Biography, has three times won the National Book Critics Circle Award, and has also won virtually every other major literary honor, including the National Book Award, the Gold Medal in Biography from the American Academy of Arts and Letters, and the Francis Parkman Prize, awarded by the Society of American Historians to the book that best exemplifies the union of the historian and the artist. In 2010 President Barack Obama awarded Caro the National Humanities Medal, stating at the time: I think about Robert Caro and reading The Power Broker back when I was twenty-two years old and just being mesmerized, and I'm sure it helped to shape how I think about politics. In 2016 he received the National Book Award for Lifetime Achievement. The London Sunday Times has said that Caro is The greatest political biographer of our times. Caro's first book, The Power Broker: Robert Moses and the Fall of New York, everywhere acclaimed as a modern classic, was chosen by the Modern Library as one of the hundred greatest nonfiction books of the twentieth century. It is, according to David Halberstam, Surely the greatest book ever written about a city. And The New York Times Book Review said: In the future, the scholar who writes the history of American cities in the twentieth century will doubtless begin with this extraordinary effort. The first volume of The Years of Lyndon Johnson, The Path to Power , was cited by The Washington Post as proof that we live in a great age of biography . . . [a book] of radiant excellence . . . Caro's evocation of the Texas Hill Country, his elaboration of Johnson's unsleeping ambition, his understanding of how politics actually work, arelet it be said flat outat the summit of American historical writing. Professor Henry F. Graff of Columbia University called the second volume, Means of Ascent , brilliant. No review does justice to the drama of the story Caro is telling, which is nothing less than how present-day politics was born. The London Times hailed volume three, Master of the Senate , as a masterpiece . . . Robert Caro has written one of the truly great political biographies of the modern age. The Passage of Power, volume four, has been called Shakespearean . . . A breathtakingly dramatic story [told] with consummate artistry and ardor ( The New York Times ) and as absorbing as a political thriller . . . By writing the best presidential biography the country has ever seen, Caro has forever changed the way we think about, and read, American history (NPR). On the cover of The New York Times Book Review, President Bill Clinton praised it as Brilliant . . . Important . . . Remarkable. With this fascinating and meticulous account Robert Caro has once again done America a great service. Caro has a unique place among American political biographers, The Boston Globe said . . . He has become, in many ways, the standard by which his fellows are measured. And Nicholas von Hoffman wrote: Caro has changed the art of political biography. Born and raised in New York City, Caro graduated from Princeton University, was later a Nieman Fellow at Harvard University, and worked for six years as an investigative reporter for Newsday . He lives in New York City with his wife, Ina, the historian and writer. Klappentext PULITZER PRIZE WINNER • Master of the Senate, Book Three of The Years of Lyndon Johnson, carries Johnson's story through one of its most remarkable periods: his twelve years, from 1949 to 1960, in the United States Senate. A Los Angeles Times Best Nonfiction Book of the Last 30 Years At the heart of the book is its unprecedented re...
“A wonderful, a glorious tale. . . . It will be hard to equal this amazing book. It reads like a Trollope novel, but not even Trollope explored the ambitions and the gullibilities of men as deliciously as Robert Caro does. Even though I knew what the outcome of a particular episode would be, I followed Caro’s account of it with excitement. I went back over chapters to make sure I had not missed a word . . . Caro’s description of how [Johnson passed the civil rights legislation] is masterly; I was there and followed the course of the legislation closely, but I did not know the half of it.”
*—Anthony Lewis, The New York Times Book Review
“A masterpiece . . . Robert Caro has written one of the truly great political biographies of the modern age.”
—*Daniel Finkelstein, The Times (London)
“Mesmerizing. . . . [It] brings LBJ blazing into the Senate. . . . A tale rife with drama and hypnotic in the telling. The historian’s equivalent of a Mahler symphony.”
—Malcolm Jones, Newsweek
*
“Caro’s immersion in the man and period yields a fascinating, entertaining abundance . . . Master of the Senate splendidly reassembles the U.S. Senate of those years.”
—Time
“Brilliant . . . Caro achieves a special tension, too rare in history books but essential in epic poetry: the drama of a hero who is wrestling with his enemies, his limitations and his fate to achieve something truly lasting . . . In his hands, the obscure fight over legislation becomes nothing less than a battle for the soul of America . . . It’s a terribly important work, unblinkingly delineating the inner workings of our democracy.”
—Chicago Tribune
“An epic tale of winning and wielding power.”
—Dan DeLuca, Philadelphia Inquirer
“Caro must be America's greatest living Presidential biographer . . . He entrances us with both his words and his research . . . No other contemporary biographer offers such a complex picture of the forces driving an American politician, or populates his work with such vividly drawn secondary characters. Extraordinary.”
—Richard S. Dunham, BusinessWeek
*
“The most complete portrait of the Senate ever drawn.”
—Michael Wolff, New York
“A terrific study of power politics.”
—Steve Neal, *Chicago Sun-Times
