Racionais MCs' Sobrevivendo no Inferno

Informationen zum Autor Derek Pardue holds a PhD in Cultural Anthropology and is an Associate Professor in Global Studies at Aarhus University, Denmark. He has conducted fieldwork and archival research in Brazil, Portugal, Denmark, and Cape Verde. His books include: Living (Il)legalities in Brazil (2020), Cape Verde: Let's Go (2015), Brazilian Hip Hoppers Speak from the Margins (2011), and Ruminations on Violence (2008). Klappentext In 1997 the rap group Racionais MCs (the 'Rational' MCs) recorded the album Sobrevivendo no Inferno (Surviving in Hell), subsequently changing the hip-hop scene in São Paulo and firmly establishing itself as the point of reference for youth across Brazil. In an era when rappers needed to defend the very idea that their work was indeed music and a time when neighborhoods such as Capão Redondo, from where Racionais frontman Mano Brown hailed, often topped homicide statistics, Sobrevivendo empowered as it provoked. As one journalist noted, "the underworld of São Paulo's working-class suburbs is dominated by cheap thrills and provides little space for representation." Sobrevivendo changed all of that; a brutal but invigorating imagination was born. The lure of Sobrevivendo is the particular combination of word and sound that powerfully involves listeners, especially those millions of young Brazilians who live in the neighborhoods on the periphery of Brazil's megacities. This book celebrates the 25-year anniversary of Sobrevivendo by representing the album's power not only within the hip-hop community but also in other cultural domains such as cinema and literature. The author also provides his own narrative spins on the sentiment of Sobrevivendo , thus making the book a creative mix of cultural analysis and inspired testimony. Vorwort Examines the impact of Racionais MCs' legendary rap album Sobrevivendo no Inferno on Brazilian popular culture. Zusammenfassung In 1997 the rap group Racionais MCs (the 'Rational' MCs) recorded the album Sobrevivendo no Inferno (Surviving in Hell), subsequently changing the hip-hop scene in São Paulo and firmly establishing itself as the point of reference for youth across Brazil. In an era when rappers needed to defend the very idea that their work was indeed music and a time when neighborhoods such as Capão Redondo, from where Racionais frontman Mano Brown hailed, often topped homicide statistics, Sobrevivendo empowered as it provoked. As one journalist noted, the underworld of São Paulo's working-class suburbs is dominated by cheap thrills and provides little space for representation. Sobrevivendo changed all of that; a brutal but invigorating imagination was born. The lure of Sobrevivendo is the particular combination of word and sound that powerfully involves listeners, especially those millions of young Brazilians who live in the neighborhoods on the periphery of Brazil's megacities. This book celebrates the 25-year anniversary of Sobrevivendo by representing the album's power not only within the hip-hop community but also in other cultural domains such as cinema and literature. The author also provides his own narrative spins on the sentiment of Sobrevivendo , thus making the book a creative mix of cultural analysis and inspired testimony. Inhaltsverzeichnis An Opening Salve 1. Who Cares about Brazilian Rap? 2.Brazilian Hip Hop: A Brief Genealogy 3.Sound, Text, Delirium 4.Dreams at the Beginning 5.A Go-getter 6.The Wait 7.It's Everywhere 8.Wesley's House9. The Laugh and the Echo 10. Nóia / The Sounds of Paranoia11. Guina's Turn12. Surroundings13. 14. Aleph in the Periferia 15. In Search of Authority16. Outro Notes Glossary ...

Préface
Examines the impact of Racionais MCs' legendary rap album Sobrevivendo no Inferno on Brazilian popular culture.

Auteur

Derek Pardue holds a PhD in Cultural Anthropology and is an Associate Professor in Global Studies at Aarhus University, Denmark. He has conducted fieldwork and archival research in Brazil, Portugal, Denmark and Cape Verde. His books include: Living (Il)legalities in Brazil (2020), **Cape Verde: Let's Go (2015), Brazilian Hip Hoppers Speak from the Margins (2011) and Ruminations on Violence (2008).

Texte du rabat

In 1997 the rap group Racionais MCs (the 'Rational' MCs) recorded the album Sobrevivendo no Inferno (Surviving in Hell), subsequently changing the hip-hop scene in São Paulo and firmly establishing itself as the point of reference for youth across Brazil. In an era when rappers needed to defend the very idea that their work was indeed music and a time when neighborhoods such as Capão Redondo, from where Racionais frontman Mano Brown hailed, often topped homicide statistics, Sobrevivendo empowered as it provoked. As one journalist noted, "the underworld of São Paulo's working-class suburbs is dominated by cheap thrills and provides little space for representation." Sobrevivendo changed all of that; a brutal but invigorating imagination was born. The lure of Sobrevivendo is the particular combination of word and sound that powerfully involves listeners, especially those millions of young Brazilians who live in the neighborhoods on the periphery of Brazil's megacities. This book celebrates the 25-year anniversary of Sobrevivendo by representing the album's power not only within the hip-hop community but also in other cultural domains such as cinema and literature. The author also provides his own narrative spins on the sentiment of Sobrevivendo, thus making the book a creative mix of cultural analysis and inspired testimony.

Contenu

An Opening Salve 1. Who Cares about Brazilian Rap? 2.Brazilian Hip Hop: A Brief Genealogy 3.Sound, Text, Delirium 4.Dreams at the Beginning 5.A Go-getter 6.The Wait 7.It's Everywhere 8.Wesley's House 9. The Laugh and the Echo 10. Nóia / The Sounds of Paranoia 11. Guina's Turn 12. Surroundings 13. . 14. Aleph in the Periferia 15. In Search of Authority 16. Outro Notes Glossary