Japanese Animation

Informationen zum Autor Masao Yokota is professor of psychology at Nihon University and former chair of the Japan Society for Animation Studies. Tze-yue G. Hu is an independent scholar and author. Klappentext Never before available in English! East Asian critiques and discussion of a powerful Japanese export and popular art form Contributions by Kenny K. N. Chow! Sheuo Hui Gan! Hiroshi Ikeda! Sonoko Ishida! Tokumitsu Kifune! Joon Yang Kim! Dong-Yeon Koh! Masashi Koide! Akiko Sano! Akiko Sugawa-Shimada! Nobuyuki Tsugata! Yasushi Watanabe! and Makiko Yamanashi Japanese Animation: East Asian Perspectives makes available for the first time to English readership a selection of viewpoints from media practitioners! designers! educators! and scholars working in the East Asian Pacific. This collection not only engages a multidisciplinary approach in understanding Japanese animation but also shows ways to research! teach! and more fully explore this multidimensional world. Presented in six sections! the translated essays cross-reference each other. The collection adopts a wide range of critical! historical! practical! and experimental approaches. This variety provides a creative and fascinating edge for both specialist and nonspecialist readers. Contributors' works share a common relevance! interest! and involvement despite their regional considerations and the different modes of analysis demonstrated. They form a composite of teaching and research ideas on Japanese animation. Masao Yokota! Tokyo! Japan! is professor of psychology at Nihon University and former chair of the Japan Society for Animation Studies. Tze-yue G. Hu! Oklahoma City! Oklahoma! is an independent scholar and author of Frames of Anime: Culture and Image-Building. "A significant collection of essays by Asian writers on Asian animation, this book sheds new light on the diverse histories and influences in the development of anime. It is a much-needed contribution to animation studies." --Dan Torre, lecturer in animation and interactive media at RMIT University, Melbourne, Australia ...

Autorentext

Masao Yokota is professor of psychology at Nihon University. He is former chair of the Japan Society for Animation Studies and current chair of the Japanese Psychological Association and Japanese Union of Psychological Associations. Tze-yue G. Hu is an independent educator based in Northern California. She is author of Frames of Anime: Culture and Image-Building. Yokota and Hu coedited (with Gyongyi Horvath) Animating the Spirited: Journeys and Transformations, published by University Press of Mississippi.

Klappentext

Never before available in English, East Asian critiques and discussion of a powerful Japanese export and popular art form Contributions by Kenny K. N. Chow, Sheuo Hui Gan, Hiroshi Ikeda, Sonoko Ishida, Tokumitsu Kifune, Joon Yang Kim, Dong-Yeon Koh, Masashi Koide, Akiko Sano, Akiko Sugawa-Shimada, Nobuyuki Tsugata, Yasushi Watanabe, and Makiko Yamanashi Japanese Animation: East Asian Perspectives makes available for the first time to English readership a selection of viewpoints from media practitioners, designers, educators, and scholars working in the East Asian Pacific. This collection not only engages a multidisciplinary approach in understanding Japanese animation but also shows ways to research, teach, and more fully explore this multidimensional world. Presented in six sections, the translated essays cross-reference each other. The collection adopts a wide range of critical, historical, practical, and experimental approaches. This variety provides a creative and fascinating edge for both specialist and nonspecialist readers. Contributors' works share a common relevance, interest, and involvement despite their regional considerations and the different modes of analysis demonstrated. They form a composite of teaching and research ideas on Japanese animation. Masao Yokota, Tokyo, Japan, is professor of psychology at Nihon University and former chair of the Japan Society for Animation Studies. Tze-yue G. Hu, Oklahoma City, Oklahoma, is an independent scholar and author of Frames of Anime: Culture and Image-Building.