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Zusatztext I was so pleased to hear about the publication of the Encyclopedia of East Asian Design . From a Japanese perspective it is easy to think that our clothes and crafts are unique to Japan! but of course they have many influences and origins from the rest of the Asian continent. This encyclopedia explores the transition of such design from a broad and encompassing perspective! and I have great hope that further research will develop as a result of this volume. Informationen zum Autor Haruhiko Fujita is Professor of Aesthetics and Design History at Kobe Design University, and Professor Emeritus of Aesthetics at Osaka University, Japan. Christine Guth led the Asian design history strand in the V&A / RCA History of Design Programme from 2007 until 2016. Klappentext The Encyclopedia of East Asian Design is the first comprehensive publication to focus on East Asian design and its histories. Although definitions of design in Asia are multiple, fluid and historically contingent, the disparate cultures within this vast landmass have long produced arts and crafts, interior, graphic, and design objects for domestic, regional, and global consumption. The encyclopedia provides in-depth, critically informed coverage of these practices, products, and the interpretive issues pertaining to them.The work is organised by country to reflect specific regional and national histories and geographies. Within these geographies, traditions, histories, theories and practices as well as key issues in modern and contemporary design are considered. The topics covered in these volumes range from ceramics and textiles, interior and architectural design, to environmental and sustainable design.A comprehensive reference guide to the histories and contemporary practices of design in East Asia. Zusammenfassung The Encyclopedia of East Asian Design is the first comprehensive publication to focus on East Asian design and its histories. Although definitions of design in Asia are multiple! fluid and historically contingent! the disparate cultures within this vast landmass have long produced arts and crafts! interior! graphic! and design objects for domestic! regional! and global consumption. The encyclopedia provides in-depth! critically informed coverage of these practices! products! and the interpretive issues pertaining to them.The work is organised by country to reflect specific regional and national histories and geographies. Within these geographies! traditions! histories! theories and practices as well as key issues in modern and contemporary design are considered. The topics covered in these volumes range from ceramics and textiles! interior and architectural design! to environmental and sustainable design. Inhaltsverzeichnis Introduction - Haruhiko Fujita, Osaka University, Japan, Christine Guth, Royal College of Art, UK, Jae-Joon Han, Seoul Women's University, South Korea, Chae Lee, Seoul Women's University, South Korea and Wendy Siuyi Wong, York University, Canada China A historical background of pre-modern China - Jessica Tsui-Yan Li, York University, Canada Traditional ideas, religion and aesthetics for design in pre-modern China - Wendy Siuyi Wong, York University, Canada Traditional cultures of China - Jessica Tsui-Yan Li, York University, Canada Traditional colors, forms and patterns of China - Yi-Hsin Lin, independent, UK Painting in pre-modern China - Malcolm McNeill, SOAS, University of London, UK Chinese calligraphy - Sarah Ng, Hong Kong Baptist University, Hong Kong The design of the Chinese woodblock printed book - Lucille Chia, University of California, Riverside, USA Silk textiles and clothing in pre-modern China - Helen Persson, Victoria and Albert Museum, UK Ceramics in pre-modern China - Luisa Elena Mengoni, British Library, UK Metalwork in pre-modern...
I was so pleased to hear about the publication of the Encyclopedia of East Asian Design. From a Japanese perspective it is easy to think that our clothes and crafts are unique to Japan, but of course they have many influences and origins from the rest of the Asian continent. This encyclopedia explores the transition of such design from a broad and encompassing perspective, and I have great hope that further research will develop as a result of this volume.
Vorwort
A comprehensive reference guide to the histories and contemporary practices of design in East Asia.
Autorentext
Haruhiko Fujita is Professor of Aesthetics and Design History at Kobe Design University, and Professor Emeritus of Aesthetics at Osaka University, Japan. Christine Guth led the Asian design history strand in the V&A / RCA History of Design Programme from 2007 until 2016.
Klappentext
The Encyclopedia of East Asian Design is the first comprehensive publication to focus on East Asian design and its histories. Although definitions of design in Asia are multiple, fluid and historically contingent, the disparate cultures within this vast landmass have long produced arts and crafts, interior, graphic, and design objects for domestic, regional, and global consumption. The encyclopedia provides in-depth, critically informed coverage of these practices, products, and the interpretive issues pertaining to them. The work is organised by country to reflect specific regional and national histories and geographies. Within these geographies, traditions, histories, theories and practices as well as key issues in modern and contemporary design are considered. The topics covered in these volumes range from ceramics and textiles, interior and architectural design, to environmental and sustainable design.
Inhalt
Introduction - Haruhiko Fujita, Osaka University, Japan, Christine Guth, Royal College of Art, UK, Jae-Joon Han, Seoul Women's University, South Korea, Chae Lee, Seoul Women's University, South Korea and Wendy Siuyi Wong, York University, Canada China A historical background of pre-modern China - Jessica Tsui-Yan Li, York University, Canada Traditional ideas, religion and aesthetics for design in pre-modern China - Wendy Siuyi Wong, York University, Canada Traditional cultures of China - Jessica Tsui-Yan Li, York University, Canada Traditional colors, forms and patterns of China - Yi-Hsin Lin, independent, UK Painting in pre-modern China - Malcolm McNeill, SOAS, University of London, UK Chinese calligraphy - Sarah Ng, Hong Kong Baptist University, Hong Kong The design of the Chinese woodblock printed book - Lucille Chia, University of California, Riverside, USA Silk textiles and clothing in pre-modern China - Helen Persson, Victoria and Albert Museum, UK Ceramics in pre-modern China - Luisa Elena Mengoni, British Library, UK Metalwork in pre-modern China - Mélodie Doumy, British Library, UK Carvings (stone and jade) in pre-modern China - Eileen H. L. Lam, Education University of Hong Kong, Hong Kong Foundations of ancient Chinese wooden architecture - Kwong-Chiu Chiu, Design and Cultural Studies Workshop, Hong Kong Interior design and furnishing in pre-modern China - Kwong-Chiu Chiu, Design and Cultural Studies Workshop, Hong Kong Architecture in pre-modern China - Puay-Peng Ho, National University of Singapore, Singapore Gardens in pre-modern China - Shuishan Yu, Northeastern University, USA Contemporary city planning and environmental design in China - Shirley Surya, M+ Museum, Hong Kong Modern design in China (before 1911) - Wendy Siuyi Wong, York University, Canada and Jackie Kwok, Independent Scholar, Hong Kong Modern design in China between 1911 and 1949 - Wendy Siuyi Wong, York University, Canada and Jackie Kwok, Independent Scholar, Hong Kong Modern design in China between 1949 and 1979 - Wendy Siuyi Wong, York University, Canada Modern design in China between 1980 and 2000 - Jennifer Wong, M+ Museum, Hong Kong Contemporary communication design in China since 1979 - Wendy Siuyi Wong, York University, Canada Contemporary…