Rhizodont

Against a backdrop of vast geological time and recent fossil-fuel burning history, the poems of Katrina Porteous's latest collection address current issues of social and environmental change.

350 million years ago what is now the rocky shore close to Katrina Porteous's Northumberland home was a tropical swamp inhabited by three-metre long predatory fish with huge tusk-like teeth. Able to move on land as well as swim, such lobe-finned fishes are the ancestors of all four-limbed vertebrates, including humans. This fossil fish is called the 'rhizodont'. Porteous's new collection begins with a lovingly-observed contemporary journey through these ancient Carboniferous landscapes, from the former coal-mining communities of the Durham coast to the Northumberland shores where the rhizodont's remains were found. 
 Rhizodont extends territory explored in Porteous's three previous books. Combining scientific themes from Edge with the ecological localism of Two Countries and The Lost Music, these poems unfold from England's North-East coast into global questions of evolution, survival and extinction ? in communities and languages, and throughout the natural world, where hope resides in life's astonishing powers of reinvention.

Autorentext

Katrina Porteous has lived on the Northumberland coast since 1987. Many of the poems in her first collection, The Lost Music (1996), explore the Northumbrian fishing community. Her second full-length collection from Bloodaxe, Two Countries (2014), was shortlisted for the Portico Prize for Literature in 2015. Her third full-length collection, Edge (Bloodaxe Books, 2019), draws on collaborations commissioned for performance in Life Science Centre Planetarium, Newcastle, between 2013 and 2016, with multi-channel electronic music by Peter Zinovieff. Her fourth is Rhizondont (2024). She has worked on many collaborations with other artists, often performs with musicians, and is particularly known for her radio-poetry broadcast on BBC Radio 3 and 4.