Auditory Perception of Sound Sources covers higher-level auditory processes that are perceptual processes. The chapters describe how humans and other animals perceive the sounds that they receive from the many sound sources existing in the world. This book will provide an overview of areas of current research involved with understanding how sound-source determination processes operate. This book will focus on psychophysics and perception as well as being relevant to basic auditory research.

Contents:

Perceiving Sound Sources: An Overview William A. Yost
Human Sound Source Identification Robert A. Lutfi
Size Information in the Production and Perception of Communication Sounds Roy D. Patterson, David R. R. Smith, Ralph van Dinther, and Tom Walters
The role of memory in auditory perception Laurent Demany, and Catherine Semal
Auditory Attention and Filters Ervin R. Hafter, Anastasios Sarampalis, and Psyche Loui
Informational masking Gerald Kidd Jr., Christine R. Mason, Virginia M. Richards, Frederick J. Gallun, and Nathaniel I. Durlach
Effects of harmonicity and regularity on the perception of sound sources Robert P. Carlyon, and Hedwig E. Gockel
Spatial Hearing and Perceiving Sources Christopher J. Darwin
Envelope Processing and Sound-Source Perception Stanley Sheft
Speech as a Sound Source Andrew J. Lotto, and Sarah C. Sullivan
Sound Source Perception and Stream Segregation in Non-human Vertebrate Animals Richard R. Fay

About the editors:

William A. Yost, Ph.D., is Professor of Psychology, Adjunct Professor of Hearing Sciences of the Parmly Hearing Institute, and Adjunct Professor of Otolaryngology at Loyola University of Chicago. Arthur N. Popper is Professor in the Department of Biology and Co-Director of the Center for Comparative and Evolutionary Biology of Hearing at the University of Maryland, College Park. Richard R. Fay is Director of the Parmly Hearing Institute and Professor of Psychology at Loyola University of Chicago.

About the series:

The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.

Résumé
The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The volumes are aimed at all individuals with interests in hearing research, including advanced graduate students, postdoctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in peer-reviewed journals. The volumes focus on topics that have developed solid data and a strong conceptual foundation rather than on those for which a literature is only beginning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.

Contenu
Perceiving Sound Sources.- Human Sound Source Identification.- Size Information in the Production and Perception of Communication Sounds.- The Role of Memory in Auditory Perception.- Auditory Attention and Filters.- Informational Masking.- Effects of Harmonicity and Regularity on the Perception of Sound Sources.- Spatial Hearing and Perceiving Sources.- Envelope Processing and Sound-Source Perception.- Speech as a Sound Source.- Sound Source Perception and Stream Segregation in Nonhuman Vertebrate Animals.