Anthology for Musical Analysis, International Edition

A collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present. It offers first- and second-year music theory classes, a wealth of illustrations of chords, voice-leading techniques, and forms, as well as some material for figured-bass realization and score reading.

Auteur
Charles Burkhart is an internationally recognized scholar in Schenkerian analysis, a pianist, and the author of ANTHOLOGY FOR MUSICAL ANALYSIS. He is also co-author of A NEW APPROACH TO KEYBOARD HARMONY and author of articles and reviews in The Music Review, Perspectives of New Music, Journal of Music Theory, and The Music Forum.William Rothstein first joined Charles Burkhart as co-author of ANTHOLOGY FOR MUSICAL ANALYSIS in its Postmodern Update, Sixth Edition. Dr. Rothstein is a professor of theory/analysis at Queens College and the Graduate Center. In addition to his book, PHRASE RHYTHM IN TONAL MUSIC, which received an ASCAP-Deems Taylor Award and the Society for Music Theory's Young Scholar Award, Dr. Rothstein has published numerous articles.

Contenu
Part I: MEDIEVAL AND RENAISSANCE COMPOSITION. Introduction. Examples of Plainchant. Kyrie from Mass XIII. Tone for the Benedicamus Domino. Hymn to St. John the Baptist. Hymn for Lauds, December 25. Antiphon for Vespers, 3rd Sunday of Advent. Gloria Patri for the Introit of the Mass. Hildegard of Bingen. Excerpts from Ordo Virtutum (morality play). Guillaume de Machaut. De bon espoir. Puisque la douce rosee. Speravi (isorhythmic motet). Guillaume Dufay. Communio from Missa Sancti Jacobi (fauxbourdon). Josquin Desprez. Tu pauperum refugium (motet). Baiss moy (double canon). Giovanni Pierluigi da Palestrina. Sanctus and Benedictus from Missa Aeterna Christi Munera. Roland de Lassus. Three Duos. 2-Beatus homo. 5-Expectatio justorum. 12-Sicut rosa. Examples of Stock Basses (late sixteenth century). Claude Gervaise. Pavane Passamaize. Jacomo Gorzanis. Passamezzo and Saltarello (dance pair). Greensleeves. Thomas Morley. Now is the Month of Maying (ballet). Carlo Gesualdo. Moro lasso al mio duolo (madrigal). Part II: BAROQUE COMPOSITIONS. Introduction. Claudio Monteverdi, 1567-1643. Cruda Amarilli" from The Fifth Book of Madrigals. Giacomo Carissimi, 160574. The Daughter's Lament from Jephte. Arcangelo Corelli, 1653-1713. Adagio and Allegro from Violin Sonata, Op. 5, No. 1. Allemanda from Trio Sonata, Op. 4, No. 11. Henry Purcell, ca. 1659-1695. Dido's Lament from Dido and Aeneas. Johann Caspar Ferdinand Fischer, ca. 16651746. Prelude and Fugue No. 6 in E Phrygian from Ariadne musica. Franois Couperin, 1668-1733. Les Moissonneurs from Pices de Clavecin, Ordre VI. Notebook for Anna Magdalena Bach (1725). Four Pieces. March. Minuet. Aria. Polonaise. George Frideric Handel, 1685-1759. Concerto Grosso in B minor, Op. 6, No. 12 (in score). Largo. Allegro. Chaconne in G Major from Trois Leons. Recitative: "Thy rebuke hath broken his heart" from Messiah. Aria: "Where'er you walk" from Semele. Johann Sebastian Bach, 1685-1750. Allemande from French Suite No. 6 in E major. Gavottes I and II from English Suite No. 3 in G minor. Bourre I and II from Suite No. 3 in C major for Violoncello Solo. Sarabande and Double from Partita No. 1 in B minor for Violin Solo. Two Inventions. No. 4 in D minor. No. 12 in A major. Preludes and Fugues from The Well-Tempered Clavier. from Book I. Prelude 1 in C major. Fugue 2 in C minor. Fugue 11 in F major. Fugue 16 in G minor. Fugue 21 in B-flat major. from Book II. Fugue 16 in G minor. Contrapunctus VII from The Art of Fugue. Four Canons from The Musical Offering. Crucifixus from Mass in B minor. O Gott, du frommer Gott (chorale variation). Three Chorale Preludes. Gott, durch deine Gte from Orgelbchlein. Durch Adam's Fall ist ganz verderbt from Orgelbchlein. Wachet auf, ruft uns die Stimme from Schbler Chorales. Domenico Scarlatti, 1685-1757. Sonata in D major, K. 96 (Longo 465). Part III: CLASSICAL COMPOSITIONS. Introduction. Joseph Haydn, 1732-1809. Piano Sonata No. 36 in C-sharp minor, first movement. Piano Sonata No. 37 in D major, third movement. Piano Sonata No. 3 in C major, third movement. String Quartet in G minor, Op. 74, No. 3, second movement. Symphony No. 101 in D major, third and fourth movements (in score). Muzio Clementi, 1752-1832. Sonatina in G major, Op. 36, No. 2, first movement. Wolfgang Amadeus Mozart, 1756-1791. Theme with Variations from Piano Sonata in D major, K. 284. Piano Sonata in B-flat major, K. 333. Allegro. Andante cantabile. Allegretto grazioso. Sonata for Piano and Violin in B-flat major, K. 378, first movement. Menuet and Trio from Serenade in C minor, K. 388 (in score). Fantasia in C minor, K. 475. "L ci darem la mano" from Don Giovanni, K. 527. The Bird-Catcher's Song from The Magic Flute, K. 620. Clarinet Concerto in A major, K. 622, first movement (in score). Kyrie from Requiem, K. 626. Ludwig van Beethoven, 1770-1827. Piano Sonata No. 1 in F minor, Op. 2, No. 1, first and third movements. Piano Sonata No. 4 in E flat major, Op. 7, second movement. Piano Sonata No. 5 in C minor, Op. 10, No. 1, second movement. Piano Sonata No. 8 in C minor, Op. 13 ("Pathtique"). Grave. Allegro di molto e con brio. Adagio cantabile. Allegro. Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement. Piano Sonata No. 15 in D major, Op. 28, third movement. Piano Sonata No. 21 in C major ("Waldstein"), Op. 53, first movement. String Quartet in F minor, Op. 95, first movement. Piano Sonata No. 30 in E major, Op. 109, first movement. Part IV: ROMANTIC COMPOSITIONS. Introduction. Carl Friedrich Zelter, 17581832. "Der Knig in Thule". Franz Schubert, 1797-1828. Four Lieder. "Erster Verlust". "Thrnenregen" from Die schne Mllerin. "Erlknig". "Der Doppelgnger". Two Piano Pieces. Waltz in A flat major, Op. 9, No. 2. Moment Musical in A flat major, Op. 94, No. 6. Fanny Mendelssohn Hensel, 18051847. "O Herbst" (a cappella chorus). Felix Mendelssohn, 1809-1847. Song Without Words, Op. 19b, No. 1. Robert Schumann, 1810-1856. Two Pieces from Phantasiestcke, Op. 12. "Des Abends". "Warum?". "Ich grolle nicht" from Dichterliebe, Op. 48. Six Pieces from Album for the Young, Op. 68. 1Melody. 3Humming Song. 6Poor Orphan Child. 8Wild Rider. 14Little Etude. 17Little Morning Wanderer. Frdric Chopin, 1810-1849. Six Preludes from Op. 28. No. 1 in C major. No. 4 in E minor. No. 6 in B minor. No. 9 in E major. No. 17 in A-flat major. No. 20 in C minor. Four Mazurkas. No. 5 in B flat major, Op. 7, No. 1. No. 6 in A minor, Op. 7, No. 2. No. 37 in A flat major, Op. 59, No. 2. No. 49 in F minor, Op. posth. 68, No. 4. Nocturne in D flat major, Op. 27, No. 2. Richard Wagner, 1813-1883. Prelude to Act I from Tristan und Isolde. Giuseppe Verdi, 18131901. Recitative and Duet (Rigoletto-Sparafucile) from Rigoletto. Clara Schumann, 18191896. Andante espressivo from Quatre Pices fugitives, Op. 15. Csar Franck, 18221890. Moderato from Chorale No. 1 in E major for organ. Johannes Brahms, 1833-1897. "Wie Melodien zieht es mir," Op. 105, No. 1. Nos. 1, 2, 9, and 10 from Waltzes, Op. 39. Two Intermezzos. Intermezzo in A minor, Op. 76, No. 7. Intermezzo in A major, Op. 118, No. 2. Sonata in F minor for Clarinet and Piano, Op. 120, No. 1, first movement. Gabriel Faur, 18451924. "Prison," Op. 83, No. 1 (1894). Hugo Wolf, 1860-1903. Two Songs. "Das verlassene Mgdlein". "In der Frhe". Gustav Mahler, 1860-1911. Adagietto from Symphony No. 5 (score). Richard Strauss, 18641949. "Ruhe, meine Seele," Op. 27, No. 1. Amy Beach, 18671944. "Dark is the Night," from Three Songs, Op. 11. Part V: MODERNISM. Introduction. Claude Debussy, 1862-1918. Prlude "L'Aprs-midi d'un faune". La cathdrale engloutie, from Preludes, Book I. Feuilles mortes, from Preludes, Book II. Alexander Skryabin, 18721915. No. 4 of Five Preludes, Op. 74. Arnold Schoenberg, 1874-1951. "Traumleben," Op. 6, No. 1. No. 1 of Three Piano Pieces, Op. 11. "Nacht" (passacaglia) from Pierrot lunaire, Op. 21. Piano P…