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Auteur
Pamela Lothspeich is Associate Professor of South Asian Studies at the University of North Carolina at Chapel Hill. Her research centers on the Indian epics in modern literature, theatre, and film.
Texte du rabat
The Epic World is a go-to volume for anyone interested in epic literature in a global framework. Engaging with powerful stories and ways of knowing beyond those of the white Global North, this volume exposes the false premises of "Western civilization" and "Classics," and brings new questions and perspectives to epic studies.
Résumé
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection **broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the erased, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes.
The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to religious traditions and to peoples who have largely "stayed put"; the tendency to reimagine and retell stories in new ways over centuries; and imbrication of epic storytelling and forms of colonialism and imperialism, especially that perpetuated and glorified by Euro-Americans over the past 500 years, resulting in unspeakable and immeasurable harms to living beings and the planet Earth.
The Epic World is a go-to volume for anyone interested in epic literature in a global framework. Engaging with powerful stories and ways of knowing beyond those of the white Global North, this field-shifting volume exposes the false premises of "Western civilization" and "Classics," and brings new questions and perspectives to epic studies.
Contenu
List of Figures and Tables
List of Contributors
Acknowledgments
Note on Transliteration
Introduction
Part 1. Ways of Reading Epics
A Critical Race Studies Approach: Race and Racecraft in Apollonius's Argonautica
Jackie Murray
A Postcolonial Studies Approach: From Fanon's Revolutionary Literature to Glissant's Relation Sneharika Roy
An Ecocritical Approach: Early Modern English Epic Possibilities Chris Barrett
An Affect Studies Approach: Reading Non-Normative Masculinities in Homer's Iliad
Melissa Mueller
A Network Approach: Tracking Female Power in Seven Epic Narratives Pádraig MacCarron, Máirín MacCarron, Sílvio Dahmen, Joseph Yose, and Ralph Kenna
Part 2. A Sample of Ancient Iterations (The Beginnings-1000 CE)
The Epic Bible: Authority and Identity in the Face of Adversity Shawna Dolansky and Sarah Cook
Gilgamesh and Tiamat Abroad: (Mis-)Reading Mesopotamian Epic Karen Sonik
(Re)Inventing an Epic: Reading the Tamil Cilappatikram across Time Morgan J Curtis
Sri Lanka's Mahvamòsa, The Great Chronicle Kristin Scheible
The 'Epic of the Anglo-Saxons': The Many Cultural Streams of Beowulf
María José Gómez Calderón
Ecological Colonialism in Vergil's Aeneid
Laura Zientek
Part 3. "Middle" Period Re-castings and Innovations (1000-1850 CE)
Sunjata Fasa and the Oral Epic Tradition of Mali Kassim Kone
Kingship and Power in Sirat Sayf ibn Dhi Yazan and the Prophetic Königsnovelle
Helen Blatherwick
A Battle of Equals: Rustam and Isfandiar in Illustrated Manuscripts of the Shhnma
Behrang Nabavi Nejad
From Oghuz Khan to Exodus: Lineage, Heroism, and Migration in Oghuz Turk Tradition Ali Aydin Karamustafa
The "Hindu" Epics? Telling the Ramayana and the Mahabharata in Premodern South Asia Sohini Sarah Pillai
Trickster as Epic Narrator in Malaysia's Hikayat Hang Tuah
Sylvia Tiwon
Connecting with Ancestors: "Imported" and Indigenous Epics in Southeast Asia
Adrian Vickers
Epic Contestations: What Makes an Epic in Multi-ethnic China? Mark Bender
Whose Epic is it, Anyway? Gesar and the Myth of National Epic Natasha Mikles
Ode to Mongolian Heroism: The Oirat Epic Jangar
Chao Gejin
Placation, Memorial, and History in Japan's The Tale of the Heike and Beyond Elizabeth Oyler
Guaman Poma's Epic Letter: A Complex Salvo against Spanish Colonialism in the Andes Scotti M. Norman
Human Owls and Political Sorcery in the Anales de Cuauhtitlan
Martín Vega Olmedo
An "Epic of Sorts": Gaspar de Villagrá and His Impossible Epic of the New Mexico Manuel M. Martín-Rodríguez
Gender Performance and Gendered Warriors in the Albanian Epic Anna Di Lellio and Arbnora Dushi
Slavic Oral-Traditional Epic in the Ottoman Ecumene
Robert Romanchuk
Empire and Resistance in South Slavic and Romanian Oral Epic Poetry Margaret Beissinger
Part 4. New Forms and Foundational Stories (1850-present)
"It Shall be Ruled by Swallows": The Epic of the Zulu King Shaka Phiwokuhle Mnyandu
Lithoko: Continuity, Change, and the Future of South Sotho Praise Poetry David M. M. Riep
"Man is the Center": Centripetal Power in the Malagasy Epic Tale of Ibonia Hallie Wells and Vony Ranalarimanana
Female Leadership and Nation Building: The West African Epics Yennenga and Sarraounia, Mariam Konaté
In Service of Authenticity: Epic in Central Africa under Colonialism Jonathon Repinecz
"The Return of Rome": Empire, Epic, and Twentieth-Century Italian Imperialism in Africa, Samuel Agbamu
Empire and Resistance in Kazakh Oral Epic: The Case of Stbek Batyr
Gabriel McGuire
Tolstoy's War and Peace: National Epic on Page, Stage, and Screen Julie A. Buckler
Ecocriticism and Indigenous Anti-epics of China Robin Visser
Anti-epic as National Epic: Uses and Misuses of Epic in Argentina's Martín Fierro
Nicolás Suárez
To Keep the Sky from Falling: The Epic of Indigenous Environmentalism in Brazil Tracy Devine Guzmán
An Epic Struggle in Mesoamerican Indigenous Literatures: Recovering Written Forms of Arturo Arias
African/American (Heroic) Epic: Lee's Do the Right Thing as Critique, Caution, Comedy Gregory E. Rutledge
Epic Sound and Whiteness in Richard Wagner's Ring Cycle Alexander Rothe
Index