Prix bas
CHF27.50
L'exemplaire sera recherché pour vous.
Pas de droit de retour !
Informationen zum Autor Nikos Papastergiadis is the Director of the Research Unit in Public Cultures and a Professor in the School of Culture and Communication at The University of Melbourne. Klappentext Cosmopolitanism is commonly associated today with the idea that the forces of globalization could be tempered by new forms of cosmopolitan governance, an idea that was popular among some political theorists in the late 20th century but seems increasingly unrealistic today.Rather than discarding the idea of cosmopolitanism, Nikos Papastergiadis seeks to reinvigorate it by examining the ways in which visual artists have explored themes associated with the cosmos. Artists often claim that all humans possess a fundamental capacity to care, create and connect. Some artists also argue that this creative capacity is linked to a dual connection - companionship with others and with the cosmos. The Ancient Greeks claimed that tuning in to the cosmos was the primal source of inspiration. Kant regarded cosmopolitanism as the goal for humanity, but he turned his attention away from the connection to the cosmos and directed it towards the practical rules for peaceful co-existence. However, these two concerns are not in conflict. Today a new vision of the cosmos is being developed by artists among others, one that brings together the cosmos and the polis. Scholars from the South are decolonizing the mindset which divided the world and split us from our common connections, while others are using art to highlight the existential threats we now face as a species.By developing a distinctive form of aesthetic cosmopolitanism, this book shows that the idea of the cosmos is more important than ever today, and vital for our attempts to rethink our place as one species among others in a universe that extends far beyond our world. Zusammenfassung Cosmopolitanism is commonly associated today with the idea that the forces of globalization could be tempered by new forms of cosmopolitan governance, an idea that was popular among some political theorists in the late 20th century but seems increasingly unrealistic today.Rather than discarding the idea of cosmopolitanism, Nikos Papastergiadis seeks to reinvigorate it by examining the ways in which visual artists have explored themes associated with the cosmos. Artists often claim that all humans possess a fundamental capacity to care, create and connect. Some artists also argue that this creative capacity is linked to a dual connection - companionship with others and with the cosmos. The Ancient Greeks claimed that tuning in to the cosmos was the primal source of inspiration. Kant regarded cosmopolitanism as the goal for humanity, but he turned his attention away from the connection to the cosmos and directed it towards the practical rules for peaceful co-existence. However, these two concerns are not in conflict. Today a new vision of the cosmos is being developed by artists among others, one that brings together the cosmos and the polis. Scholars from the South are decolonizing the mindset which divided the world and split us from our common connections, while others are using art to highlight the existential threats we now face as a species.By developing a distinctive form of aesthetic cosmopolitanism, this book shows that the idea of the cosmos is more important than ever today, and vital for our attempts to rethink our place as one species among others in a universe that extends far beyond our world. Inhaltsverzeichnis Prolegomenon: Putting the Cosmos Back into Cosmopolitanism1 Introduction: A Constellation for Cosmopolitanism in Seven PointsPart 1 Cosmos in Antiquity2 Cosmopolitanism in Antiquity3 Stoic lives and the places of Cosmopolitanism4 Cosmopolis and Physics of Cosmic FirePart 2 Closing Apertures: Fading Cosmos and Rising Anthropos5 From St Paul to the Enlightenment6 Kant: Cosmopolitanism or the GraveyardPart 3 From the Moral Imperat...
Texte du rabat
Cosmopolitanism is commonly associated today with the idea that the forces of globalization could be tempered by new forms of cosmopolitan governance, an idea that was popular among some political theorists in the late 20th century but seems increasingly unrealistic today. Rather than discarding the idea of cosmopolitanism, Nikos Papastergiadis seeks to reinvigorate it by examining the ways in which visual artists have explored themes associated with the cosmos. Artists often claim that all humans possess a fundamental capacity to care, create and connect. Some artists also argue that this creative capacity is linked to a dual connection - companionship with others and with the cosmos. The Ancient Greeks claimed that tuning in to the cosmos was the primal source of inspiration. Kant regarded cosmopolitanism as the goal for humanity, but he turned his attention away from the connection to the cosmos and directed it towards the practical rules for peaceful co-existence. However, these two concerns are not in conflict. Today a new vision of the cosmos is being developed by artists among others, one that brings together the cosmos and the polis. Scholars from the South are decolonizing the mindset which divided the world and split us from our common connections, while others are using art to highlight the existential threats we now face as a species. By developing a distinctive form of aesthetic cosmopolitanism, this book shows that the idea of the cosmos is more important than ever today, and vital for our attempts to rethink our place as one species among others in a universe that extends far beyond our world.
Contenu
Prolegomenon: Putting the Cosmos Back into Cosmopolitanism 1 Introduction: A Constellation for Cosmopolitanism in Seven Points Part 1 Cosmos in Antiquity 2 Cosmopolitanism in Antiquity 3 Stoic lives and the places of Cosmopolitanism 4 Cosmopolis and Physics of Cosmic Fire Part 2 Closing Apertures: Fading Cosmos and Rising Anthropos 5 From St Paul to the Enlightenment 6 Kant: Cosmopolitanism or the Graveyard Part 3 From the Moral Imperative to the Creative Constitutive 7 After Kant: Political Philosophy for Cosmopolitanism - Habermas and Derrida 8 After Kant: Political Philosophy against Cosmopolitanism - Sloterdijk and Mouffe 9 Cosmos Perduring in Art 10 Cosmos from the Global South: From Subaltern to Decolonial Perspectives 11 Cosmos for the World 12 Epilogue: Cosmic Fire and Liquid Polis