Iranian Culture

"The book is a major addition to the existing studies in Iranian culture and identity and broadens our understanding of the complexities inherent in Iranian culture and the ways Iraniansareconstantlyperformingtheir identities.Whilethe bookwill beofsignificant interest to scholarsof Iranian and MiddleEasternstudies,it willalsobeofinterest to specialists of diaspora studies, cultural studies, film studies, and literary criticism. Rahimieh's gracefulwritingstyle and incorporationofvariousculturalproductionswillhelp make the topic available to a wide readership." Claudia Yaghoobi -Assistant Professor of International Literature, Georgia College and State University in the Journal of the Society for Contemporary Thought and the Islamicate World January 2016.

Auteur

Nasrin Rahimieh is the Howard Baskerville Professor of Humanities and Professor of Comparative Literature at the University of California, Irvine. Her teaching and research are focused on modern Persian literature and culture. She is author of Missing Persians: Discovering Voices in Iranian Cultural Identity.

Texte du rabat

Iranian Culture: Representation and Identity demonstrates these fissures and the incompatibilities that refuse to be written out of national culture, analysing works of literature, popular music, graphic art and film, as well as oral narratives. Using works produced before and after the 1979 revolution, created both inside and outside of Iran, this study reveals neglected complexities and contradictions in the field of Iranian cultural production. It considers how contested claims to culture, whether they originated in Iran or the Iranian diaspora, shape our understanding of this culture and what spaces they create for new articulations of it, and in doing so offers an important re-examination of our collective concept of culture.

Résumé

Throughout modern Iranian history, culture has served as a means of imposing unity and cohesion onto society. The Pahlavi monarchs used it to project an image of Iran as an ancient civilisation, re-emerging as an equal to Western nations, while the revolutionaries deployed it to remake the country into an Islamic nation. Just as Iranian culture has been continually re-interpreted, the representations and avocations of Iranian identity vary amongst Iranians across the world.

Iranian Culture: Representation and Identity demonstrates these fissures and the incompatibilities that refuse to be written out of national culture, analysing works of literature, popular music, graphic art and film, as well as oral narratives. Using works produced before and after the 1979 revolution, created both inside and outside of Iran, this study reveals neglected complexities and contradictions in the field of Iranian cultural production. It considers how contested claims to culture, whether they originated in Iran or the Iranian diaspora, shape our understanding of this culture and what spaces they create for new articulations of it, and in doing so offers an important re-examination of our collective concept of culture.

This book would be an excellent resource for students and scholars of Middle East Studies and Iranian Studies, specifically Iranian culture including film and contemporary literature and the Iranian diaspora.

Contenu

Introduction Chapter One Back to the Future: Time Travel and Iranian Identity Chapter Two: Shooting the Past, Staging the Revolution Chapter Three Stage Managing the Return of the Repressed Chapter Four From the Displaced to the Misplaced Chapter Five The Hen s Husband, or Deterritorializations of Persian Chapter Six Illuminating Internal Alterities Conclusion