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Musical Rhythm in the Age of Digital Reproduction

  • Livre Relié
  • 272 Nombre de pages
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Informationen zum Autor Professor Anne Danielsen, Department of Musicology, University of Oslo, Norway. Klappentext Offers insight... Lire la suite
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Description

Informationen zum Autor Professor Anne Danielsen, Department of Musicology, University of Oslo, Norway. Klappentext Offers insights into the study of musical rhythm through investigations of the micro-rhythmic design of groove-based music. This book intends to investigate how technological mediation - in the age of digital music production tools - has influenced the design of rhythm at the micro level. Zusammenfassung Offers insights into the study of musical rhythm through investigations of the micro-rhythmic design of groove-based music. This book intends to investigate how technological mediation - in the age of digital music production tools - has influenced the design of rhythm at the micro level. Inhaltsverzeichnis Introduction: rhythm in the age of digital reproduction, Anne Danielsen; Part 1 Microrhythm and Rhythmic Structure: Here, there and everywhere: 3 accounts of pulse in D'Angelo's 'Left and Right', Anne Danielsen; Microtiming and rhythmic structure in clave-based music. A quantitative study, Ives Chor; Simultaneous rhythmic events with different schematic affiliations. Microtiming and dynamic attending in 2 contemporary R&B grooves, Kristoffer Carlsen and Maria A.G. Witek; The concept of rhythmic tolerance. Examining flexible grooves in Scandinavian folk fiddling, Mats Johansson; Timbral relationships and microrhythmic tension. Shaping the groove experience through sound, Kristoffer Yddal Bjerke.; Part 2 Groove and Embodiment: Rhythm/body/motion. Tricky's contradictory dance music, Eric F. Clarke; Moved by the groove. Bass drum sounds and body movements in electronic dance music, Hans T. Zeiner-Henriksen; Slave to the supradiagetic rhythm. A microrhythmic analysis of creaky voice in Sia's 'Breathe Me', Serge Lacasse.; Part 3 Mediation and Music Production: Opaque mediation. The cut-and-paste groove in D.J. Food's 'Break', Ragnhild Brovig-Hanssen; Microsampling. From Akufen's Microhouse to Todd Edwards and the sound of UK garage, Paul Harkins; Real and unreal performances. The interaction of recording technology and rock drum kit performance, Simon Zagorski-Thomas; Composing a performance. The analog experience in the age of digital (re)production, Tellef Kvifte; Bibliography; Index. ...

Auteur

Professor Anne Danielsen, Department of Musicology, University of Oslo, Norway.



Texte du rabat

Offers insights into the study of musical rhythm through investigations of the micro-rhythmic design of groove-based music. This book intends to investigate how technological mediation - in the age of digital music production tools - has influenced the design of rhythm at the micro level.



Contenu

Introduction: rhythm in the age of digital reproduction, Anne Danielsen; Part 1 Microrhythm and Rhythmic Structure: Here, there and everywhere: 3 accounts of pulse in D'Angelo's 'Left and Right', Anne Danielsen; Microtiming and rhythmic structure in clave-based music. A quantitative study, Ives Chor; Simultaneous rhythmic events with different schematic affiliations. Microtiming and dynamic attending in 2 contemporary R&B grooves, Kristoffer Carlsen and Maria A.G. Witek; The concept of rhythmic tolerance. Examining flexible grooves in Scandinavian folk fiddling, Mats Johansson; Timbral relationships and microrhythmic tension. Shaping the groove experience through sound, Kristoffer Yddal Bjerke.; Part 2 Groove and Embodiment: Rhythm/body/motion. Tricky's contradictory dance music, Eric F. Clarke; Moved by the groove. Bass drum sounds and body movements in electronic dance music, Hans T. Zeiner-Henriksen; Slave to the supradiagetic rhythm. A microrhythmic analysis of creaky voice in Sia's 'Breathe Me', Serge Lacasse.; Part 3 Mediation and Music Production: Opaque mediation. The cut-and-paste groove in D.J. Food's 'Break', Ragnhild Brovig-Hanssen; Microsampling. From Akufen's Microhouse to Todd Edwards and the sound of UK garage, Paul Harkins; Real and unreal performances. The interaction of recording technology and rock drum kit performance, Simon Zagorski-Thomas; Composing a performance. The analog experience in the age of digital (re)production, Tellef Kvifte; Bibliography; Index.

Informations sur le produit

Titre: Musical Rhythm in the Age of Digital Reproduction
Éditeur:
Code EAN: 9781409403401
ISBN: 978-1-4094-0340-1
Format: Livre Relié
Editeur: Taylor & Francis Ltd
Genre: Musique
nombre de pages: 272
Poids: 550g
Taille: H240mm x B163mm x T23mm
Année: 2010

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