Sirens

Zusatztext Michael Bull takes us a seductive journey through sound. With sirens! Bull has found the perfect auditory subject to weave a fascinating tale through myth! war! revolution and gender politics which he travels via history! continents and disciplines. In Sirens ! yet again! Bull shows himself as consummate master of the sonic arts. Informationen zum Autor Michael Bull is Professor of Sound Studies at the University of Sussex, UK, and is the co-founder of the journal Sound Studies . Klappentext Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds - from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture.From the seductive danger of the Sirens in Greek myth to the protective/warning sounds of sirens in the 20th century, this book investigates the paradoxical and complex meaning of sirens in Western culture. Zusammenfassung Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture. Inhaltsverzeichnis Siren Beginnings Sounding Out the Sirens Siren Traces 1. Prolegomena to the Sirens2. Eclipsing the Acousmatic: The Story of the Sirens3. Sonic Sleepwalkers: Sirens Myths from Homer, to Bach, to Nancy Sinatra4. Remembering the Forgotten Sounds of Air-Raid Sirens: Charlie Hebdo , Dresden and Beyond5. Urban Sirens: 9/11, Dizzee Rascal and Varese6. Timing the Sirens: Kurt Vonnegut Meets Theodor Adorno7. Siren Spaces: A Different Colonization?8. Hearing the Sirens: A Tale of Sonic Exclusivity?9. Sirens for the Young: From Fénelon to Disney 10. Kafka's Sirens and the Story of Silencing11. Sonic Aftermaths: Sirens and Stormy Daniels12. Sonic Fallibility: Kittler's Sirens Afterword : Let's Sing Another Song Boys. This One Has Grown Old and Bitter (Leonard Cohen) Notes Bibliography Index ...

Michael Bull takes us a seductive journey through sound. With sirens, Bull has found the perfect auditory subject to weave a fascinating tale through myth, war, revolution and gender politics which he travels via history, continents and disciplines. In Sirens, yet again, Bull shows himself as consummate master of the sonic arts.

Préface
From the seductive danger of the Sirens in Greek myth to the protective/warning sounds of sirens in the 20th century, this book investigates the paradoxical and complex meaning of sirens in Western culture.

Auteur
Michael Bull is Professor of Sound Studies at the University of Sussex, UK, and is the co-founder of the journal Sound Studies.

Texte du rabat

Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds - from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture.

Contenu
Siren Beginnings Sounding Out the Sirens Siren Traces 1. Prolegomena to the Sirens 2. Eclipsing the Acousmatic: The Story of the Sirens 3. Sonic Sleepwalkers: Sirens Myths from Homer, to Bach, to Nancy Sinatra 4. Remembering the Forgotten Sounds of Air-Raid Sirens: Charlie Hebdo, Dresden and Beyond 5. Urban Sirens: 9/11, Dizzee Rascal and Varese 6. Timing the Sirens: Kurt Vonnegut Meets Theodor Adorno 7. Siren Spaces: A Different Colonization? 8. Hearing the Sirens: A Tale of Sonic Exclusivity? 9. Sirens for the Young: From Fénelon to Disney 10. Kafka's Sirens and the Story of Silencing 11. Sonic Aftermaths: Sirens and Stormy Daniels 12. Sonic Fallibility: Kittler's Sirens Afterword: Let's Sing Another Song Boys. This One Has Grown Old and Bitter (Leonard Cohen) Notes Bibliography Index