The Miraculous Journey of Edward Tulane

Zusatztext 56540684 Informationen zum Autor KATE DICAMILLO is the author of THE TALE of DESPEREAUX which received the Newbery Medal; BECAUSE of WINN-DIXIE, which received a Newbery Honor; THE TIGER RISING, which was named a National Book Award Finalist; and, most recently, the MERCY WATSON stories. She says, "One Christmas, I received an elegantly dressed toy rabbit as a gift. I brought him home, placed him on a chair in my living room, and promptly forgot about him. A few days later, I dreamed that the rabbit was face-down on the ocean floor - lost, and waiting to be found. In telling THE MIRACULOUS JOURNEY OF EDWARD TULANE, I was lost for a good long while, too. And then, finally, like Edward, I was found." BAGRAM IBATOULLINE is the illustrator of CROSSING by Philip Booth; THE NIGHTINGALE by Hans Christian Andersen, retold by Stephen Mitchell; THE ANIMAL HEDGE by Paul Fleischman; HANA in the TIME of the TULIPS by Deborah Noyes; and THE SERPENT CAME to GLOUCESTER by M. T. Anderson. He says, "It was a singular and most pleasurable experience to work on the illustrations for EDWARD TULANE and to be there with him on his journey. I must admit, I'm a bit wistful now that I've come to the end of this very special book." Klappentext The #1 New York Times bestseller is available in paperback! This timeless tale by the incomparable Kate DiCamillo, complete with stunning illustrations by Bagram Ibatoulline, honors the enduring power of love. Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who treated him with the utmost care and adored him completely. And then, one day, he was lost. Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the top of a garbage heap to the fireside of a hoboes' camp, from the bedside of an ailing child to the bustling streets of Memphis. And along the way, we are shown a true miracle - that even a heart of the most breakable kind can learn to love, to lose, and to love again. CHAPTER ONE Once, in a house on Egypt Street, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement. His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit's mood - jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped. The rabbit's name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue. In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially - what unsavory animal - was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts. Edward's mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward. The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits. . . . Each pair of well-cut pants had a small pocket for Edward's gold pocket watch. Abilene wound this watch for him each morning. "No...

One reading is hardly enough to savor the rich philosophical nuances of DiCamillo’s story. I think I will go read it again right now.
—New York Times Book Review, The

This achingly beautiful story shows a true master of writing at her very best.
—School Library Journal (starred review)

The story soars because of DiCamillo's lyrical use of language and her understanding of universal yearnings. This will be a pleasure to read aloud.
—Booklist (starred review)

Once again, DiCamillo harkens back to an older storytelling style, filled with magic and the transformational power of love. . . . The reader will be transformed, too.
—Kirkus Reviews (starred review)

There will be inevitable comparison of Edward Tulane to THE VELVETEEN RABBIT, and Margery Williams's classic story can still charm after 83 years. But as delightful as it is, it can't match the exquisite language, inventive plot twists, and memorable characters of DiCamillo's tale.
—Publishers Weekly, boxed signature review

The delicate sepia images that head each chapter and the full-color illustrations augment the emotional tenor of the book.
—Bulletin of the Center for Children's Books, The

DiCamillo writes tenderly and lyrically but with restraint, keeping a tight focus on Edward’s experience and gradual awakening.
—Horn Book, The

Noted as a best book of the 2005-2006 school year
—Library Media Connection

Bagram Ibatoulline's exquisite illustrations cast a warm light across this . . . tale by one of today's most admired writers for children.
—Wall Street Journal

DiCamillo has carved out a distinct place as one of her generation's most beloved writers.
—Chicago Tribune

When Edward's journey ends, the reader will be wishing this story could go on and on.
—Washington Post Book World

In the tradition of poignant, beloved children's classics like Don Freeman's CORDUROY and Anna Sewell's BLACK BEAUTY comes best-selling, Newbery Medal-winning author Kate DiCamillo's utterly charming creation THE MIRACULOUS JOURNEY OF EDWARD TULANE. . . . With traditional illustrations and text that begs to be read aloud, THE MIRACULOUS JOURNEY OF EDWARD TULANE will quickly take a place of honor on every child's bookshelf, undoubtedly and deservedly.
—Time Out New York Kids

DiCamillo . . . is a natural children's-book writer.
—Boston Herald

This choice is destined to become a classic.
—Dallas Morning News

DiCamillo’s book is as much a literary miracle as Edward’s transformation.
—Raleigh News and Observer

DiCamillo’s newest offering is full of lovely, stately language, a riveting plot and a message that is heartwarming without being preachy. Fans of BECAUSE OF WINN-DIXIE and THE TALE OF DESPEREAUX will not be disappointed. . . .This tale has 'destined to be classic' written all over it, and it lives up to its great promise.
—Book Page

A rare and beautiful book that remains in the soul.
—San Diego Union-Tribune

Elegantly designed, with delicate, full-color plate paintings by Bagram Ibatoulline, it has the look of a classic.
—Miami Herald

Lovingly told, DiCamillo's affection for her characters shines through and overtakes you and by the book's end, readers will care deeply.
—Honolulu Advertiser

A new classic has been forged.
—Pittsburgh Post Gazette

The powerful storytelling of bestselling author DiCamillo paired with Ibatoulline’s luminous paintings, will leave no reader - child or adult - unmoved.
—Child

Beautifully designed, with plenty of old fashioned illustrations.
—Seattle Times

A riveting tale, by turns sad and joyous.
—Scripps-Howard News Service, Best Children’s Books roundup

The miracle of Edward Tulane’s journey is the miracle of learning to love.
—ForeWord Magazine

Featured in article on Boston Globe-Horn Book Award winner…