I Would Lie to You If I Could: Interviews with Ten American Poets

Auteur

Chard deNiord is the poet laureate of Vermont and author of six books of poetry, most recently Interstate and The Double Truth. He also edited a book of essays and interviews with seven senior American poets (Galway Kinnell, Donald Hall, Maxine Kumin, Jack Gilbert, Ruth Stone, Lucille Clifton, Robert Bly) titled Sad Friends, Drowned Lovers, Stapled Songs: Conversations and Reflections on Twentieth-Century American Poets. deNiord is a professor of English and creative writing at Providence College and a trustee of the Ruth Stone Trust.

Texte du rabat

I Would Lie To You If I Could contains interviews with nine eminent contemporary American poets (Natasha Trethewey, Jane Hirshfield, Martín Espada, Stephen Kuusisto, Stephen Sandy, Ed Ochester, Carolyn Forche, Peter Everwine, and Galway Kinnell) and James Wright's widow Anne. It presents conversations with a vital cross section of poets representing a variety of ages, ethnicities, and social backgrounds. The poets testify to the demotic nature of poetry as a charged language that speaks uniquely in original voices, yet appeals universally. As individuals with their own transpersonal stories, the poets have emerged onto the national stage from very local places with news that witnesses memorably in social, personal, and political ways. They talk about their poems and development as poets self-effacingly, honestly, and insightfully, describing just how and when they were "hurt into poetry," as well as why they have pursued writing poetry as a career in which, as Robert Frost noted in his poem "Two Tramps in Mud Time," their object has become "to unite [their] avocation and [their] vocation / As [their] two eyes make one in sight."

Résumé
Contains interviews with nine eminent contemporary American poets (Natasha Trethewey, Jane Hirshfield, Martín Espada, Stephen Kuusisto, Stephen Sandy, Ed Ochester, Carolyn Forché, Peter Everwine, and Galway Kinnell). The poets testify to the demotic nature of poetry as a charged language that speaks uniquely in original voices, yet appeals universally.