My Favorite Thing Is Monsters

Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp Monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen's investigation takes us back to Anka's life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Rendered in a kaleidoscopically and breathtakingly virtuosic visual style that combines panel sequences and montage, Emil Ferris' draftsmanship echoes the drawing of Otto Dix, George Grosz, and Robert Crumb. My Favorite Thing Is Monsters is a revelatory work of striking originality that has been lauded as the debut graphic novel of the year.

Zusammenfassung Set against the tumultuous political backdrop of late â™60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karenâ™s investigation takes us back to Ankaâ™s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.

Auteur

Emil Ferris grew up in Chicago during the turbulent 1960s, where she still lives, and is consequently a devotee of all things monstrous and horrific. She has an MFA in Creative Writing from the School of the Art Institute of Chicago.

Texte du rabat

In this debut, which takes the form of a fictional graphic diary, a 10-year-old girl tries to solve a murder.

Résumé
Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen's investigation takes us back to Anka's life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.