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Anonymity Performance in Electronic Pop Music

  • Couverture cartonnée
  • 250 Nombre de pages
In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identific... Lire la suite
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Pas encore paru. Cet article sera disponible le 01.03.2019

Description

In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations. This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.

Auteur

Stefanie Kiwi Menrath teaches arts and cultural education, pop music studies, ethnography and qualitative research methods. Since she finished her bi-national PhD at Goldsmiths in London and the University of Oldenburg in Germany, she has worked in Berlin on the intersection of practice and research with a focus on transcultural and diversity education and arts and science collaborations. Between 2014 and 2017, she was a research fellow in cultural education at the Alice Salomon University of Applied Sciences Berlin.

Informations sur le produit

Titre: Anonymity Performance in Electronic Pop Music
Sous-titre: A Performance Ethnography of a Critical Practice
Éditeur:
Code EAN: 9783837642568
ISBN: 978-3-8376-4256-8
Format: Couverture cartonnée
Genre: Musique
nombre de pages: 250
Poids: 393g
Taille: H225mm x B225mm x T148mm
Parution: 01.03.2019
Année: 2019

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