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Power Play

  • Couverture cartonnée
  • 352 Nombre de pages
Petaybee, a sentient planet in its earlier stages of development, begins to attain an awareness of the people who inhabit it, and ... Lire la suite
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Description

Petaybee, a sentient planet in its earlier stages of development, begins to attain an awareness of the people who inhabit it, and when fortune-seekers kidnap Petaybee's rulers, the planet speaks out for itself

Auteur
Anne McCaffrey, one of the world’s most popular authors, is best known for her Dragonriders of Pern® series. She was the first woman to win the two top prizes for science fiction writing, the Hugo and Nebula awards. She was also given the American Library Association’s Margaret A. Edwards Award for Lifetime Literary Achievement in Young Adult Fiction, was inducted into the Science Fiction Hall of Fame, and was named a Science Fiction Writers of America Grand Master. Born in Cambridge, Massachusetts, in 1926, McCaffrey relocated to Ireland in the 1970s, where she lived in a house of her own design, named Dragonhold-Underhill. She died in 2011.

Elizabeth Ann Scarborough, winner of the Nebula Award for her novel The Healer’s War, is the author of numerous fantasy novels. She has co-authored twelve novels with Anne McCaffrey. She lives on the Olympic Peninsula in Washington State.

Texte du rabat

"Riveting . . . exciting . . . The writing and characterization, as well as the infusions of Celtic ­and Inuit lore, remain of high quality."-Booklist

Petaybee is growing up. Day by day, the feeling planet-like any child-is learning to recognize and understand the meaning of outside stimuli, to respond to those stimuli, to communicate its own needs and desires . . . even to use human speech. Yanaba Maddock has appointed herself defender of her adopted planet, and has even succeeded in proving its sentience to nonbelievers. But despite her efforts, few outsiders truly care for the emotions and intelligence of what they perceive to be a giant hunk of rock. Then Yanaba is kidnapped. The price of her freedom: control of the planet itself. But the only one who can speak for Petaybee is Petaybee-and no one knows what a living planet can do once it finds its voice. . . .

"Anne McCaffrey and Elizabeth Ann Scarborough collaborate seamlessly to tell a first-rate sf adventure."-Library Journal, on Power Lines



Échantillon de lecture
1
 
 
Yanaba Maddock and Sean Shongili held hands in a darkness illuminated only by the glowing eyes of hundreds of animals and the flames of hundreds of candles. The drumming had stopped now, replaced by the sweet slapping of sliding water, the beat of many hearts, and the breathing of many creatures. One pulse was louder than all the drums had been, one breath a wind that guttered and flared the candles with each respiration.
 
“So how do we do it here?” Yana whispered nervously to the father of her unborn child. “Does the planet give me away or what?”
 
Sean smiled and winked. “No one has that right but you, love. Let’s just say that the planet acts as witness and honorary best being.”
 
“. . . best being . . .” an echo sang from the cavern walls. “. . . best being . . .”
 
He stopped walking and she stopped beside him. All she knew was that they were getting married, Petaybean-style.
 
She’d been so busy with her new duties as Petaybee’s administrator over the last two months that she hadn’t had enough time to inquire as fully as she would have liked into the rituals or folkways of the Petaybean marriage ceremony before it was upon her. Sean’s niece, Bunny Rourke, one of her chief informants on matters Petaybean, had told her that it was a special sort of latchkay with a night chant at the hot springs. Yana had attended the breakup latchkay when she first arrived. This occasion differed in that the night chant was at the beginning of the latchkay instead of at the end. As at all latchkays, there would be much singing; however, there would probably be more at this particular one. Sean and Yana were each to prepare a song for the other. Songs were how Petaybeans celebrated or commemorated all their most noteworthy experiences. The mode was mostly either a rhyme scheme to some ancient Irish air, or a free-verse poem, chanted Inuit-style to the accompaniment of a drum. Yana, whose heart was full but whose mind was too crowded with administrative details while her body was having to make physical accommodations to her pregnancy, had finally created her song. Other than that, she simply hoped that things would go well and allowed herself to be led through the proceedings by the people she had trusted with her life more than once.
 
Two hours earlier, Kilcoole’s premier couturier, Aisling Senungatuk, had arrived with the gown she had created for Yana—rabbit hides crocheted together with woolen yarn in a long, paneled design with a flared skirt, scooped neck, and long sleeves. The crocheted lace inserts were heavily decorated with beads made from scavenged wire and the little pebbles found in certain Petaybean streams. Tumbled, polished, and drilled, the stones were lovely and translucent. The gown was yellow, the Petaybean wedding color, Aisling explained, “because most of the plants make yellow dye.” The rabbits were contributed from the collecting places of all of the hunters in the village. Sean’s vest was a darker shade of the yellow, trimmed with beaver fur and blue and white beads.
 
Now the light motes formed a circle around the two, and Clodagh Senungatuk, Aisling’s sister and the village’s healer, stepped into the center with Sean and Yana. Yana noted with some amusement that as many of Clodagh’s orange-striped cats as could crowd around her feet did so, their eyes eerie and iridescent in the candle glow.
 
“Sean Shongili and Yanaba Maddock, we’ve come here because we understand you got somethin’ to say to all of your friends and kin here where the planet hears you best, is that right?”
 
“It is,” Sean said. “I have a song to sing for you all.”
 
“Sing for us,” soft voices said from the shadows, accompanied by an underlying rumble of throaty feline purrs, the whicker of the curly-coats, and the affirmative yips of the dogs.
 
“Sing,” the echo said.
 
Yana had no idea how many bodies were clustered into the cave that day. The line seemed to stretch clear back to the village and included every man, woman, and child, horse, cat, and larger track-cats, and even everybody’s dog teams. And she could have sworn that she saw wild game emerge from the brush and join in the procession just before Clodagh led them into the darkness of the cave behind the hot-springs waterfall.
 
Sean cleared his throat. The candle flame shadowed the chiseled planes of his face and softened the outlines of his mouth as he began to chant.
 
“Yanaba, she met the enemy
 
Coming to us, she met friends as well
 
And honored them.
 
She met me, and I met love.
 
Aijija
 
With her friends, here around her
 
With her lover, I who take her hand
 
For these people and this world embracing us
 
She met the enemy again and again
 
It is in her name to do so.
 
Aijija
 
Yanaba, who knows my aspects
 
Yanaba, who has my heart
 
Yanaba, who honors my world and my people
 
Yanaba, who carries our future in her body
 
Yanaba, you are already part of my life
 
Yanaba, you already possess my heart
 
I tell you this here, with our world as witness
 
I want you with me forever
 
Aiji.”
 
Yana’s mouth went suddenly dry. Something soft and furry rubbed against her bare ankles. Her stomach gave a heave and she wondered if the baby could be moving so soon, pushing her to speak. She took Sean’s hands as much for support as encouragement and clung to them so tightly that she was afraid she’d leave bruises. But he returned the strong grip, and that gave her the courage she needed. Suddenly light-headed, she felt as if she needed to hold on to him to keep from floating to the top of the cave.
 
“Sean Shongili, my truest friend and love.
 
Here I am, a woman whose only song
 
Was of war and death.
 
How can I sing what I feel for you?
 
You gave me life when I was dying
 
A home when I had known none in
 
Many years of wandering
 
A family when all of mine is dead
 
A life to bear
 
When I thought I could give only death
 
You showed me a new world and
 
Invited me to make it my own.
 
And I do.
 
In old songs by better singers
 
They say, ‘You are all the world to me.’
 
I say so too.
 
Sean Shongili, you are all the world to me
 
And the world to me is you.
 
I love you. Take me as I take you.
 
As they used to say on earth, ‘I do.’ ”
 
Sean took her in his arms then and kissed her, letting his body rest against her belly, which, although still not too obvious, was growing fuller and rounder by the day.
 
Then Clodagh clapped her hands and everyone dispersed, leaving Yana and Sean alone in the cave, but not in darkness. As the candles departed, a warm soft glow pulsed throughout the cavern, and he eased her to the rock, which seemed to melt into a comfortable bed as she and Sean made love. They always enjoyed that occupation, but here, now, in the cave, where the planet was also part of their communion, she felt as if she had never before been so consumed by the passion that always fired up between them in the act of love. Sean felt it, too, for his hands were tender, possessive in a fashion she would once have resented, exciting in ways she had never experienced. The climax was so extraordinary that she wept and knew, from the wetness of the cheek he pressed hard against hers, that he also had been rocked by the intensity of their consummation. For a moment, she thought she had died.
 
This time they did not sleep afterward; nor did they dress before leaving the cave to join the throng waiting outside at the thermal pools.
 
Cheers and laughter greeted them. Overhead the stars and moons, real and man-made, lit the sky, while the candles planted along the sides of the pool garlanded it with ribbons of light. The big cats sported rather clumsily in the water while the dogs fetched various things thrown by their masters. The smaller cats sat disdainfully on the edge of the pool. Yana laughed when one of the curly-coats took a running jump and dived into the pool, making a whale-sized wave that swamped the shore and wet several disgusted felines, who began furiously to lick themselves dry.
 
Then Sean pushed her in and, a moment later, a seal appeared among the splashing, laughing, naked company. This activity continued till daylight and was the merriest, raunchiest festivity she had ever attended. Periodically, someone would hoist himself out of the water and run bare-assed to the baskets beyond the candles to fetch something to cram into his mouth before diving back into the pool.
 
At daylight, everyone went ashore, dressed, and walked limply home except Sean and Yana, who rode double on one of the curlies, following Bunny and the village girls, who strewed flower petals and seeds on the path before them.
 
“I’m starving,” Yana muttered up into Sean’s chin.
 
“He nuzzled the top of her head. “Good, you’ll like this part then. The feast was prepared before we left. But don’t eat so much you’ll be too full to dance with me afterward.”
 
“Dance? You have to be joking! My legs feel like noodles. Umm, noodles. Do you suppose Clodagh made hers? The ones with the smoked fish and dried tomato sauce?”
 
“I have it on good authority that she did. Is all you think of your stomach?”
 
“I’m eating for two!”
 
“So you are. Forgive me,” he said, lifting her down from the curly-coat’s back.
 
During the feasting, she had an ample chance to rest and gaze into Sean’s eyes and messily feed him and be fed by him, also part of the wedding protocol. The food was arrayed in the middle of the meeting house, and Sean and Yana and the other adults sat on benches along the wall, while Bunny led the youngsters of Kilcoole in offering them food.
 
Meanwhile, everyone occupied themselves by singing the songs they had written for Sean and Yana. Bunny sang of her first meeting with Yana and their wild ride down the river. Sean’s sister, Sinead, told how she knew Yana would be one of them from the time she went on her first hunt. Adak sang of the hiding of Sean in the snocle shed with Yana, making frequent clandestine trips which the Powers That Be did not know anything about.
 
 

Informations sur le produit

Titre: Power Play
Auteur:
Code EAN: 9780345387813
ISBN: 978-0-345-38781-3
Format: Couverture cartonnée
Editeur: Random House N.Y.
Genre: Science fiction et fantaisie
nombre de pages: 352
Année: 1996

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