Fabric of Vision

Zusatztext Illuminating. Informationen zum Autor Anne Hollander was an independent art historian, critic and historian of dress who was renowned for her bold studies of the evolution of costume. A fellow of the New York Institute for the Humanities and former president of PEN American Center, she was the author of influential books on the subject of costume and fabric in art, Seeing through Clothes and Sex and Suits, as well as Moving Pictures, on the influence of painting on cinema. Klappentext Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.Beautifully illustrated, Fabric of Vision explores the work of great artists over six centuries to reveal how clothing and drapery have brought depth, emphasis and meaning to art Zusammenfassung Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion. Inhaltsverzeichnis Author's AcknowledgementsForewordIntroductionI Cloth of HonourII Liberated DraperiesIII Sensuality, Sanctity, ZealIV High ArtificeV Romantic Simplicity: WomenVI Romantic Simplicity: MenVII Restraint and DisplayVIII Nude and ModeIX Woman as DressX Form and FeelingList of IllustrationsBibliographyIndex...

Illuminating.

Préface
Beautifully illustrated, Fabric of Vision explores the work of great artists over six centuries to reveal how clothing and drapery have brought depth, emphasis and meaning to art

Auteur
Anne Hollander was an independent art historian, critic and historian of dress who was renowned for her bold studies of the evolution of costume. A fellow of the New York Institute for the Humanities and former president of PEN American Center, she was the author of influential books on the subject of costume and fabric in art, Seeing through Clothes and Sex and Suits, as well as Moving Pictures, on **the influence of painting on cinema.

Texte du rabat

Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions.

Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art.

First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.

Contenu
Author's Acknowledgements Foreword Introduction I Cloth of Honour II Liberated Draperies III Sensuality, Sanctity, Zeal IV High Artifice V Romantic Simplicity: Women VI Romantic Simplicity: Men VII Restraint and Display VIII Nude and Mode IX Woman as Dress X Form and Feeling List of Illustrations Bibliography Index