The Melancholy of Race

Zusatztext We are a nation at ease with grievance but not with grief!' writes Anne Cheng in this probing and complex analysis of the processes by which we are all socialized into race. Through a wonderfully chosen series of literary and cultural phenomena! she captures both the hidden melancholy of those who! in order to conform to the American dream! learn to discriminate against themselves! and the even more hidden melancholy of a nation thus deprived of some of the mostvital energies of its citizens. Informationen zum Autor Anne Anlin Cheng is Assistant Professor of English and American Literature at the University of California! Berkeley. Klappentext In this groundbreaking! interdisciplinary study Anne Anlin Cheng argues that we have to understand racial grief not only as the result of racism but also as a foundation for racial identity. The Melancholy of Race proposes that racial identification is itself already a melancholic act--asocial category that is imaginatively supported through a dynamic of loss and compensation! by which the racial other is at once rejected and retained. Using psychoanalytic theories on mourning and melancholia as inroads into her subject! Cheng offers a closely observed and carefully reasonedaccount of the minority experience as expressed in works of art by! and about! Asian-Americans and African-Americans. She argues that the racial minority and dominant American culture both suffer from racial melancholia and that this insight is crucial to a productive reimagining of progressivepolitics. Her discussion ranges from "Flower Drum Song" to "M. Butterfly!" Brown v. Board of Education to Anna Deavere Smith's "Twilight!" and Invisible Man to The Woman Warrior! in the process demonstrating that racial melancholia permeates our fantasies of citizenship! assimilation! and socialhealth. Her investigations reveal the common interests that social! legal! and literary histories of race have always shared with psychoanalysis! and situates Asian-American and African-American identities in relation to one another within the larger process of American racialization. A provocativelook at a timely subject! this study is essential reading for anyone interested in race studies! critical theory! or psychoanalysis. Zusammenfassung This study argues that racial grief is not only the result of racism but also a foundation for racial identity. It proposes that racial identification is itself a melancholy act - a social category supported by loss and compensation, rejecting and retaining, denigrating and idealizing the minority....

We are a nation at ease with grievance but not with grief,' writes Anne Cheng in this probing and complex analysis of the processes by which we are all socialized into race. Through a wonderfully chosen series of literary and cultural phenomena, she captures both the hidden melancholy of those who, in order to conform to the American dream, learn to discriminate against themselves, and the even more hidden melancholy of a nation thus deprived of some of the most vital energies of its citizens.

Auteur
Anne Anlin Cheng is Assistant Professor of English and American Literature at the University of California, Berkeley.

Texte du rabat

In this groundbreaking, interdisciplinary study Anne Anlin Cheng argues that we have to understand racial grief not only as the result of racism but also as a foundation for racial identity. The Melancholy of Race proposes that racial identification is itself already a melancholic act--a
social category that is imaginatively supported through a dynamic of loss and compensation, by which the racial other is at once rejected and retained. Using psychoanalytic theories on mourning and melancholia as inroads into her subject, Cheng offers a closely observed and carefully reasoned
account of the minority experience as expressed in works of art by, and about, Asian-Americans and African-Americans. She argues that the racial minority and dominant American culture both suffer from racial melancholia and that this insight is crucial to a productive reimagining of progressive
politics. Her discussion ranges from "Flower Drum Song" to "M. Butterfly," Brown v. Board of Education to Anna Deavere Smith's "Twilight," and Invisible Man to The Woman Warrior, in the process demonstrating that racial melancholia permeates our fantasies of citizenship, assimilation, and social
health. Her investigations reveal the common interests that social, legal, and literary histories of race have always shared with psychoanalysis, and situates Asian-American and African-American identities in relation to one another within the larger process of American racialization. A provocative
look at a timely subject, this study is essential reading for anyone interested in race studies, critical theory, or psychoanalysis.

Résumé
In this groundbreaking, interdisciplinary study Anne A. Cheng argues that we have to understand racial grief not only as the result of racism but also as a foundation for racial identity. She proposes that racial identification is itself already a melancholy act - a social category that is imaginatively supported through a dynamic of loss and compensation, by which the racial other is at once rejected and retained, denigrated and idealized. Drawing upon history, literature and theatre - the book ranges from Rodgers and Hammerstein to David Henry Whang, Brown v. Board of Education to Anne Deveare Smith, Ralph Ellison to Maxine Hong Kingston - Cheng demonstrates that racial melancholia permeates our fantasies of citizenship, assimilation, and social health. A provocative look at a timely cultural dilemma, this study is essential reading for anyone interested in race studies, critical theory, or psychoanalysis.