Mothersong

Zusatztext Amy Acre's poems are electric. They crackle and spark with wild feeling, inventiveness and deep sensuality. Mothers, daughters, lovers, all the thrilling complexity of love and grief that the body must bear; these are poems which set the page aglow and make my heart spin Informationen zum Autor Amy Acre is a poet and freelance writer from London, and the editor of Bad Betty Press. Her pamphlets And They Are Covered in Gold Light and Where We're Going, We Don't Need Roads were each chosen as a Poetry Book Society Pamphlet Choice. Her poem 'every girl knows' won the 2019 Verve Poetry Competition. She featured on The Last Dinosaur's 2020 track, 'In The Belly of a Whale', streamed over 600,000 times on Spotify. In 2021, she wrote and recorded Radio 4's The Ballad of the Bet - a BBC Pick of the Week. Her work has appeared in 3:AM Magazine, bath magg, DIVA, PERVERSE, Poetry London, The Poetry Review, Poetry Wales, The Rialto, The Scores, The White Revie w and elsewhere. Mothersong is her first collection. Klappentext A lyrical excavation of trauma and healing in the midst of early motherhood - the debut work of an endlessly inventive poet whose work 'fizzes with energy, physicality, and the levitating openness of song' ( Rebecca Tamás) 'An essential read, poignant, powerful and provocative. I love the feeling in Amy Acre's poems' Salena Godden Amy Acre's debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven't seen enough of in the past, primed to last long into the future. 'Amy Acre is one of the best poets of her generation. Pure cinema, raw heart, and unparalleled technique. Read this' Joelle Taylor, winner of the 2021 T S Eliot Prize for Poetry'Mothers, daughters, lovers, all the thrilling complexity of love and grief that the body must bear; these are poems which set the page aglow and make my heart spin' Liz Berry, winner of the 2018 Forward Prize for Poetry Vorwort A lyrical excavation of trauma and healing in the midst of early motherhood - the debut work of an endlessly inventive poet whose work 'fizzes with energy, physicality, and the levitating openness of song' ( Rebecca Tamás) Zusammenfassung A lyrical excavation of trauma and healing in the midst of early motherhood - the debut work of an endlessly inventive poet whose work 'fizzes with energy, physicality, and the levitating openness of song' ( Rebecca Tamás) 'An essential read, poignant, powerful and provocative. I love the feeling in Amy Acre's poems' Salena Godden Amy Acre's debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven't seen enough of in the past, primed to last long into the future. 'Amy Acre is one of the best poets of her generation. Pure cinema, raw heart, and unparalleled technique. Read this' Joelle Taylor, winner of the 2021 T S Eliot Prize for Poetry'Mothers, daughters, lovers, all the thrilling complexity of love and grief that the body must bear; these are poems which set the page aglow and make my heart spin' Liz Berry, winner of the 2018 Forward Prize for Poetry ...

Although these poems draw from the mundane world, they're forged in a true alchemist's imagination; they come to us - and at us - dazzling

Préface
A lyrical excavation of trauma and healing in the midst of early motherhood - the debut work of an endlessly inventive poet whose work 'fizzes with energy, physicality, and the levitating openness of song' (Rebecca Tamás)

Auteur
Amy Acre is a poet and freelance writer from London, and the editor of Bad Betty Press. Her pamphlets And They Are Covered in Gold Light and Where We're Going, We Don't Need Roads were each chosen as a Poetry Book Society Pamphlet Choice. Her poem 'every girl knows' won the 2019 Verve Poetry Competition. She featured on The Last Dinosaur's 2020 track, 'In The Belly of a Whale', streamed over 600,000 times on Spotify. In 2021, she wrote and recorded Radio 4's The Ballad of the Bet - a BBC Pick of the Week. Her work has appeared in 3:AM Magazine, bath magg, DIVA, PERVERSE, Poetry London, The Poetry Review, Poetry Wales, The Rialto, The Scores, The White Revie*w and elsewhere. *Mothersong is her first collection.