Zusatztext 40574966 Informationen zum Autor Alexandra Morton Klappentext In Listening to Whales , Alexandra Morton shares spellbinding stories about her career in whale and dolphin research and what she has learned from and about these magnificent mammals. In the late 1970s, while working at Marineland in California, Alexandra pioneered the recording of orca sounds by dropping a hydrophone into the tank of two killer whales. She recorded the varied language of mating, childbirth, and even grief after the birth of a stillborn calf. At the same time she made the startling observation that the whales were inventing wonderful synchronized movements, a behavior that was soon recognized as a defining characteristic of orca society. In 1984, Alexandra moved to a remote bay in British Columbia to continue her research with wild orcas. Her recordings of the whales have led her to a deeper understanding of the mystery of whale echolocation, the vocal communication that enables the mammals to find their way in the dark sea. A fascinating study of the profound communion between humans and whales, this book will open your eyes anew to the wonders of the natural world.Chapter 1 Some nights I hear whales in my dreams. They start off distant like the sound of wind in the trees but gradually pick up to the point where they're all I can hear. Most times I can make out which pod is callingthe sisters, transients, G clan, or any of a dozen other orcas I've spent nearly a quarter of a century listening to. On a good night it's the exquisite dialect specific to the family of the fifty-four-year-old matriarch Tsitika, a series of rippling harmonics so perfect it imparts a deep sense of peace in me, like a shuddering sigh. Some nights I wake from one of these dreams and find it hasn't been a dream at all. I trundle downstairs in stocking feet, put my ear to the hydrophone speaker, and hear Tsitika calling to her children. I press the record button on my tape machine and note the time and date in the sound log. And so begins another day of work. In the kelp bed floating outside my window, a hydrophone dangles down 15 feet into the water of Cramer Passage. A black cable snakes through the kelp, up the rocky beach, through the salal brush, around my kale garden, past the greenhouse and chicken coop, and up through the floorboards into my house, which is perched on a low bluff on the western coast of Canada. I begin my mornings with a strong cup of coffee at my desk, writing, entering data, or sorting through black-and-white photos of dorsal fins. If there are no whales that day, the first sound I hear is often the crackle of shrimp coming alive with the lightening of the sky. Sometimes I hear otters chirping or dolphins letting loose those high-pitched twitters that make them sound like monkeys on helium. The hydrophone doesn't discriminate. More often than not, I hear the scream of outboard motors. The community in which I live, Echo Bay, has no roads. Everyone gets around by boat. To study a wild animal, you must adapt your life to its rhythm. It's the only way you'll increase your chances of encountering your subject, and perhaps more important, it's the only way you'll begin to understand how your subject encounters the world. We landlocked humans experience our surroundings primarily through our eyes: land and vision. A killer whale's aquatic world comes to it almost exclusively through its sense of hearing: water and sound. Living in Echo Bay has put me in a world as close as I can come to the killer whale's without actually living underwater. I'm constantly listening and looking for whales. As I wake my six-year-old daughter, cook breakfast, brush my teeth, talk on the phone, my ear remains cocked to the speakers. My eyes constantly scan the water for the misty plume of a whale blow. I press my eyes against a pair of high-powered astronomical fi...

8220;[Morton’s] descriptions of [the whales’] lives and their haunting underwater communications are so vivid that they will remain with you long after you have read the last eloquent page.”

—JANE GOODALL

“[A] WARM, ENERGETIC MEMOIR . . . An engaging tale of a woman’s commitment to science and a life well lived.”
—Publishers Weekly (starred review)

“AN EXTRAORDINARY BOOK ABOUT AN EXTRAORDINARY WOMAN. . . . This is a species that has learned to live in tolerance with each other, and to share in the resources of their world so that all can survive. Would that our species could learn to do the same.”
*—Hamilton Spectator

*“A PASSIONATE MEMOIR BY A TRUE FIELD BIOLOGIST.”
*—Natural History

*“FASCINATING . . .
[Morton’s] writing reflects a deep respect for whales in general and killer whales in particular. The reader will find her regard contagious.”
*—Richmond Times-Dispatch

*“This book will immerse you in a magical underwater world. It will bring you face to face with some of the most intelligent and mysterious creatures on earth. Alexandra Morton is a meticulous scientist, but she is not afraid to let her love for the whales illuminate her writing, nor her distress and anger at the harm we are inflicting on their world.”
—JANE GOODALL

“One of the world’s premier orca researchers . . . Morton has emerged as a champion for the welfare of whales and the preservation of their habitat. Listening to Whales is an unusual and involving tale of a life committed to interspecies communication.”
*—The Olympian

*“[Morton] is field scientist in the tradition of Jane Goodall and Dian Fossey. . . . Readers will be impressed by the physical hardships of field work, the moving account of the death of her marine photographer husband in a diving mishap, and her stories of rearing her children on shipboard and in an isolated coastal community.”
*—Library Journal

• “Morton’s descriptions of individual orca movements, and how each relates to the species as a whole, course alongside her passionate defense of the ecological balance of the region; she infuses both with just the right amount of personal reflection.”
  —Publishers Weekly (starred review)

“Moments of quiet triumph illuminate this absorbing tale.”
*—Christian Science Monitor

• (Selected as One of the Best Books of 2002)

“ABSORBING, MOVING . . .
[Morton’s] book gives us invaluable insight into complex, wonderful creatures. It’s an eloquent testament to one woman’s efforts at interspecies communication.”
*—The Calgary Sun

“Lyrical . . . Hopeful . . . *Listening to Whales is a fascinating journey into the heart of a research scientist captivated by these magnificent creatures.”
—*Miami Herald

*“Leaves one questioning what we have done to our water-based, spy-hopping, family-loving cohabitants of this planet—and if we have not in the process diminished ourselves.”
—The Georgia Straight magazine

“Remarkable . . . An extraordinary tale . . . Fascinating reading . . . Full of both poignant and distressing moments . . . One of the chief pleasures of her book is the straightforward quality of her prose; one finds oneself halfway through the book in the blink of an eye.”
—*The Grand Rapids Press

*“As she wisely points out, what the whales need to survive—clean water, clean air, forests, and salmon—happen to be what we need as well.”
—Sierra magazine

“Remarkably diverting . . . In plainspoken prose, Morton relates her work afield . . . She writes of her personal life with unembroidered ease as well, which is extremely powerful.”
*—Kirkus Reviews

*“This is biographical natural histor…