The Spanish Tragedy

Revenge plays became the most durable and commercially successful type of drama on the Elizabethan stage. The Spanish Tragedy brings to life the intrigues of the Spanish court, dramatically contrasting romantic passion with violent deaths and clandestine politics. Revenge plays became the most durable and commercially successful type of drama on the Elizabethan stage. The Spanish Tragedybrings to life the intrigues of the Spanish court, dramaticallycontrasting romantic passion with violent deaths and clandestinepolitics.

Informationen zum Autor Thomas Kyd (1558-94) was an English playwright, about whose life and works little is now known. Kyd was a contemporary of Spenser and a friend of Marlowe. He was criticized by the court poets for his lack of formal education but enjoyed great popularity as a dramatist. None of his early work having survived, he is chiefly remembered for The Spanish Tragedy (c. 1589), the first English revenge tragedy. This violent and bloody play proved extremely popular and was revived after the Restoration in a production remarked upon by Samuel Pepys. Its influence can be seen in English tragedy throughout the 17th century, most notably in Shakespeare's Hamlet, which employs not only the revenge theme but also the use of a play-within-a-play to reveal the identity of the murderer. Largely because of this, Kyd has often been suggested as the most likely author of the so-called ' ur-Hamlet ' (c. 1594), a lost play that is known to have supplied many of the basic plot elements of Shakespeare's masterpiece. In recent years much attention has been paid to Kyd's possible role in the events leading to the death of his friend Christopher Marlowe. In May 1593 Kyd was arrested for possession of a 'heretical' treatise denying the divinity of Christ. Under severe torture he stated that the document had been given him by Marlowe, a noted freethinker who seems to have been the authorities' real target. Kyd's evidence led to an arrest warrant being issued against Marlowe, who was killed in murky circumstances a few weeks later. Kyd himself never recovered from his treatment in prison and died the following year. Klappentext The first fully-fledged example of a revenge tragedy, the genre that became so influential in later Elizabethan and Jacobean drama, The Spanish Tragedy (1589) occupies a very special place in the history of English Renaissance drama. Hieronimo, Knight-Marshal of Spain during its war with Portugal, fails to obtain justice when his son is murdered for courting Bel-Imperia, the Duke of Castile's daughter, and decides to take justice into his own hands...This new student edition has been freshly revised by Professor Andrew Gurr to incorporate the latest stage history and critical interpretations of the play. It also appends the scenes that were added in 1602, discusses Elizabethan attitudes to revenge, the Senecan features of the play and the significance of the Anglo-Spanish conflict in the 1580s. Vorwort Revenge plays became the most durable and commercially successful type of drama on the Elizabethan stage. The Spanish Tragedy brings to life the intrigues of the Spanish court, dramatically contrasting romantic passion with violent deaths and clandestine politics. Zusammenfassung Revenge plays became the most durable and commercially successful type of drama on the Elizabethan stage. The Spanish Tragedy brings to life the intrigues of the Spanish court, dramatically contrasting romantic passion with violent deaths and clandestine politics....

Klappentext

The first fully-fledged example of a revenge tragedy, the genre that became so influential in later Elizabethan and Jacobean drama, The Spanish Tragedy (1589) occupies a very special place in the history of English Renaissance drama. Hieronimo, Knight-Marshal of Spain during its war with Portugal, fails to obtain justice when his son is murdered for courting Bel-Imperia, the Duke of Castile's daughter, and decides to take justice into his own hands... This new student edition has been freshly revised by Professor Andrew Gurr to incorporate the latest stage history and critical interpretations of the play. It also appends the scenes that were added in 1602, discusses Elizabethan attitudes to revenge, the Senecan features of the play and the significance of the Anglo-Spanish conflict in the 1580s.