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The Oxford Guide to Film Studies

  • Kartonierter Einband
  • 648 Seiten
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Surveys the disciplinary approaches in film studies, examines the concepts and methods of film analysis, and discusses the issues ... Weiterlesen
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Beschreibung

Surveys the disciplinary approaches in film studies, examines the concepts and methods of film analysis, and discusses the issues and debates in the examination of film.

substantial book that, particularly in its coverage of major theoretical issues, provides a sound introduction for undergraduate film-studies students and, perhaps even more usefully, for students on courses of which film is only a part.

Autorentext
John Hill is Senior Lecturer at the Department of Media and Performance Studies at the University of Ulster at Coleraine Pamela Church Gibson is a Senior Lecturer in Contextual and Cultural Studies at the London College of Fashion, a constituent college of the London Institute CONSULTANT EDITORS: Richard Dyer is Professor of Film Studies at the University of Warwick E. Ann Kaplan teaches in the Department of English at the Humanities Institute at Stony Brook, New York Paul Willemen is Professor, Department of Media Studies, Napier University, Edinburgh

Klappentext

Comprehensive, authoritative, and up-to-date, The Oxford Guide to Film Studies is an indispensable guide to the study of film. Top international contributors provide an overview of the main disciplinary approaches to film studies, an explanation of the core concepts and methods involved in film analysis, a survey of the major issues and debates in the study of film, and critical discussion of key areas. Uniquely comprehensive, this book is suitable for any course on cinema or film studies.



Zusammenfassung
Features theories, debates, and approaches to the study of film. This volume provides an overview of the main disciplinary approaches to film studies, an explanation of the main concepts and methods involved in film analysis, a survey of the main issues and debates in the study of film, and critical discussion of key areas.

Inhalt

General Introduction; PART ONE: CRITICAL APPROACHES; 1. Introduction to Film Studies; STUDYING THE FILM TEXT; 2. The Film Text and Film Form; 3. Film Acting; 4. Film Costume; 5. Film Music; THE FILM TEXT: THEORETICAL DEVELOPMENTS; 6. Classic Film Theory and Semiotics; 7. Formalism and Neo-formalism; 8. Impressionism, Surrealism, and Film Theory; 9. Film and Psychoanalysis; 10. Post-Structuralism and Deconstruction; 11. Film and Postmodernism; FILM TEXT AND CONTEXT: GENDER, IDEOLOGY, AND IDENTITIES; 12. Marxism and Film; 13. Feminism and Film; 14. Gay and Lesbian Criticism; 15. Queer Theory; 16. Pornography; 17. Race, Ethnicity, and Film; 18. Film and Cultural Identity; FILM TEXT AND CONTEXT: CULTURE, HISTORY, AND RECEPTION; 19. Film and History; 20. Sociology and Film; 21. Cultural Studies and Film; 22. Film Audiences; 23. Hermeneutics, Reception Aesthetics, and Film Interpretation; PART TWO: AMERICAN CINEMA AND HOLLYWOOD: CRITICAL APPROACHES; AMERICAN CINEMA: HISTORY, INDUSTRY, AND INTERPRETATION; 1. American Cinema and Film History; 2. History and Cinema Technology; 3. Hollywood as Industry; 4. Early American Film; 5. Classical Hollywood Film and Melodrama; 6. Post-classical Hollywood; CRITICAL CONCEPTS; 7. Authorship and Hollywood; 8. Genre and Hollywood; 9. The Star System and Hollywood; POLITICS AND SOCIETY; 10. Hollywood Film and Society; 11. Film Policy: Hollywood and Beyond; 12. Hollywood and the World; PART THREE: WORLD CINEMA: CRITICAL APPROACHES; REDEFINING CINEMA: INTERNATIONAL AND AVANT-GARDE ALTERNATIVES; 1. Concepts of National Cinema; 2. Modernism and the Avante-Gardes; 3. Realism, Modernism, and Post-Colonial; REDEFINING CINEMA: OTHER GENRES; 4. The Documentary Film; 5. The Animated Film; EUROPEAN CINEMA; 6. Iss ues in European Cinema; CASE-STUDIES: MOVEMENTS, MOMENTS, AND FILMMAKERS; 7. The Avant-Gardes and European Cinema before 1930; 8. Italian Post-War Cinema and Neo-Realism; 9. The French Nouvelle Vague; 10. New German Cinema; 11. East-Central European Cinema; 12. European Film Policy and the Response to Hollywood; 13. Directors and Stars; (a) Jean Renoir; (b) Ingmar Bergman; (c) Chantal Akerman; (d) Pedro Almodovar; (e) Luc Besson; ANGLOPHONE NATIONAL CINEMAS; CASE-STUDIES; 14. British Cinema; 15. Ireland and Cinema; 16. Australian Cinema; 17. Canadian Cinema; WORLD CINEMA; 18. Issues in World Cinema; CASE-STUDIES: CINEMAS OF THE WORLD; 19. Indian Cinema; 20. Chinese Cinema; 21(a) Hong Kong Cinema: Discovery and Pre-Discovery; 21(b) China, and 1997; 22. Taiwanese New Cinema; 23. Japanese Cinema; 25. South American Cinema; FILM IN A CHANGING AGE; 26. Film and Changing Technologies; 27. Film and Television

Produktinformationen

Titel: The Oxford Guide to Film Studies
Editor:
EAN: 9780198711247
ISBN: 978-0-19-871124-7
Format: Kartonierter Einband
Herausgeber: Oxford University Press
Genre: Kunst
Anzahl Seiten: 648
Gewicht: 1248g
Größe: H244mm x B189mm x T34mm
Jahr: 1998
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