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Zusatztext A BEST BOOK OF THE YEAR: The Boston Globe, St. Louis Post-Dispatch, and The Denver Post More Winesburg that Mayberry, Holt and its residents are shaped by physical solitude and emotional reticence. . . . Haruf's fiction ratifies ordinary, nonflashy decency, but he also knows that even the most placid lives are more complicated than they appear from the outside. . . . The novel is a plainspoken, vernacular farewell. Catherine Holmes, The Charleston Post and Courier A marvelous addition to his oeuvre. . . . spare but eloquent, bittersweet yet hopeful. Kurt Rabin, The Fredericksburg Freelance-Star Latenessand second chanceshave always been a theme for Haruf. But here, in a book about love and the aftermath of grief, in his final hours, he has produced his most intense expression of that yet. . . . Packed into less than 200 pages are all the issues late life provokes. John Freeman, The Boston Globe A fitting close to a storied career, a beautiful rumination on aging, accommodation, and our need to connect. . . . As a meditation on life and forthcoming death, Haruf couldn't have done any better. He has given us a powerful, pared-down story of two characters who refuse to go gentle into that good night. Lynn Rosen, The Philadelphia Enquirer A delicate, sneakily devastating evocation of place and character. . . . Haruf's story accumulates resonance through carefully chosen details; the novel is quiet but never complacent. The New Yorker Elegiac, mournful and compassionate. . .a triumphant end to an inspiring literary career [and] a reminder of a loss on the American cultural landscape, as well as a parting gift from a master storyteller. William J. Cobb, The Dallas Morning News A fine and poignant novel that demonstrates that our desire to love and to be loved does not dissolve with age. . . . The story speeds along, almost as if it's a page-turning mystery. Joseph Peschel, The St. Louis Post-Dispatch By turns amusing and sad, skipping-down-the-sidewalk light and pensive. . . . I recommend reading it straight through, then sitting in quiet reflection of beautiful literary art. Fred Ohles, The Lincoln Journal Star Haruf is never sentimental, and the endingmultiple twists packed into the last twenty pagesis gritty, painful and utterly human. . . . His novels are imbued with an affection and understanding that transform the most mundane details into poetry. Like the friendly light shining from Addie's window, Haruf's final novel is a beacon of hope; he is sorely missed. Francesca Wade, Financial Times Haruf was knows as a great writer and teacher whose work will endure. . . . The cadence of this book is soft and gentle, filled with shy emotion, as tentative as a young person's first kisstimeless in its beauty. . . . Addie and Louis find a type of love that, as our society ages, ever more people in the baby boom generation may find is the only kind of love that matters. Jim Ewing, The Jackson Clarion-Ledger There is so much wisdom in this beautifully pared-back and gentle book. . . a small, quiet gem, written in English so plain that it sparkles. Anne Susskind, The Sydney Morning Herald His great subject was the struggle of decency against small-mindedness, and his rare gift was to make sheer decency a moving subject. . . . [This] novel runs on the dogged insistence that simple elements carry depths, and readers will find much to be grateful for. Joan Silber, The New York Times Book Review In a fitting and gorgeous end to a body of work that prizes resilience above all else, Haruf has bequeathed readers a map charting a future that is neither easy nor painless, but it's also not something we have to bear alone. Esquire Utterly charming [and] distilled to element...
A BEST BOOK OF THE YEAR: The Boston Globe, St. Louis Post-Dispatch, and The Denver Post
“More Winesburg that Mayberry, Holt and its residents are shaped by physical solitude and emotional reticence. . . . Haruf's fiction ratifies ordinary, nonflashy decency, but he also knows that even the most placid lives are more complicated than they appear from the outside. . . . The novel is a plainspoken, vernacular farewell.” —Catherine Holmes, *The Charleston Post and Courier
“Lateness—and second chances—have always been a theme for Haruf. But here, in a book about love and the aftermath of grief, in his final hours, he has produced his most intense expression of that yet. . . . Packed into less than 200 pages are all the issues late life provokes.” —John Freeman, *The Boston Globe
“Elegiac, mournful and compassionate. . .a triumphant end to an inspiring literary career [and] a reminder of a loss on the American cultural landscape, as well as a parting gift from a master storyteller.” —William J. Cobb, *The Dallas Morning News
“By turns amusing and sad, skipping-down-the-sidewalk light and pensive. . . .  I recommend reading it straight through, then sitting in quiet reflection of beautiful literary art.” —Fred Ohles, *The Lincoln Journal Star
“Haruf was knows as a great writer and teacher whose work will endure. . . . The cadence of this book is soft and gentle, filled with shy emotion, as tentative as a young person's first kiss—timeless in its beauty. . . . Addie and Louis find a type of love that, as our society ages, ever more people in the baby boom generation may find is the only kind of love that matters.” —Jim Ewing, *The Jackson Clarion-Ledger
“His great subject was the struggle of decency against small-mindedness, and his rare gift was to make sheer decency a moving subject. . . . [This] novel runs on the dogged insistence that simple elements carry depths, and readers will find much to be grateful for.” —Joan Silber, *The New York Times Book Review
“Utterly charming [and] distilled to elemental purity. . . . such a tender, carefully polished wo…