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Color Theory for the Makeup Artist

  • Kartonierter Einband
  • 152 Seiten
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"I had the privilege of seeing this book prior to publication as well as in the finished form. As a Make-up Artist in the film an... Weiterlesen
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Beschreibung

Zusatztext "I had the privilege of seeing this book prior to publication as well as in the finished form. As a Make-up Artist in the film and television industry for over 30 years, I am so pleased that this is now available as an excellent resource for any artistâ™s education and practical work. This is a much needed work within the make-up field and will help artists raise their game. The concepts are clearly explained and illustrated with ample visual images. The application of color theory to all forms of make-up artistry is made simple, even fun, and will ignite the enthusiasm of the reader to see their craft in a whole new way⦠and want to start applying it immediately!"-Stan Edmonds, Department Head of Make-Up Design for Film and Television at Vancouver Film School (IATSE 891) Zusammenfassung Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist.This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color.ãããããIt explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up. The book teaches the reader how to mix flesh tones by using only primary colors, and explains how these colors in paints and make-up are sourced and created. It also discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly lighta workspace for successful applications. Inhaltsverzeichnis ACKNOWLEDGEMENTSFOREWORDINTRODUCTIONCHAPTER 1: COLOR THEORYWHY WE SEE COLORTHE VISIBLE SPECTRUMCLASSIFYING COLORTHE COLOR WHEELWARM & COOL COLORSPRIMARY COLORSSECONDARY COLORSTERTIARY COLORSCOLOR RELATIONSHIPSCOMPLEMENTARY COLORSCOLOR SCHEMESTHE 3 ATTRIBUTES OF COLORHUE, VALUE, & INTENSITYCATEGORIZING COLORSMIXING COLORTINTS, SHADES, & TONESLIGHT & DARK COLORSCOLOR CONSTANCYCOLOR SYSTEMSRYB CMYRGBADDITIVE & SUBTRACTIVE COLOROPTICAL ILLUSIONS IN COLORSIMULTANEOUS CONTRASTOPTICAL MIXTURESAFTER-IMAGESIMPRESSIONISMPOINTILLISMCHAPTER 2: PIGMENTS & DYESWHAT ARE PIGMENTS & DYES?PIGMENTSDYESEXAMPLES OF PIGMENTS & DYESPIGMENTS & DYES IN MAKE-UPCHARACTERISTICS OF PIGMENTSINORGANIC & ORGANIC PIGMENTSTRANSPARENCY & OPACITYPIGMENT VARIATIONS & MIXTURESãCHAPTER 3: FLESH TONESPIGMENTS IN SKINMAKING FLESH TONES FROM PRIMARY PIGMENTSCOLOR BREAKDOWNSCHAPTER 4: APPLYING COLOR THEORY TO BEAUTY MAKE-UPMAKE-UP BASE COLORSUNDERTONESFOUNDATION MATCHINGCOLORED POWDERSCONCEALERSCOLOR CORRECTIONSHADOWS & HIGHLIGHTSADDING COLOR: EYES, CHEEKS & LIPSEYESCHEEKSLIPSMAKE-UP DESIGNBREAKING THE RULESTHINGS TO CONSIDERCHAPTER 5: APPLYING COLOR THEORY TO SPECIAL EFFECTS MAKE-UPCOLORS IN THE BODYTHE CIRCULATORY SYSTEMBLOODBURNS, BRUISES & SCARSCOLD & FROSTBITESICKNESS & DEATHDIRT & MUDMAKING TATTOOSTEETHPAINTING PROSTHETIC APPLIANCESSTIPPLINGINTRINSIC COLORWHEN TO ADD BLACKCOLOR INSPIRATION FOR CHARACTER DESIGNPSYCHOLOGICAL EFFECTS OF COLORCOLORS IN NATURECHAPTER 6: HOW LIGHTING AFFECTS COLORLIGHTING YOUR WORKSPACENATURAL LIGHTCOLOR TEMPERATURE OF L...

Autorentext
Katie Middleton is a professional make-up artist for film and television with a background in fine art, specializing in portrait and representational painting. She earned her Bachelor Degree in Fine Art from Pratt Institute in Brooklyn, New York where she was honored with the Early Career Achievement Award in 2016. Some of her make-up credits include the film Loving, where she was nominated for a Make-up Artists and Hair Stylists Guild Award in 2017; Showtime's Homeland; AMC's Turn: Washington's Spies; PBS's Mercy Street; and Mystery Science Theater 3000. Katie also studied make-up and special effects at Vancouver Film School where she received the Make-up Achievement Award.

Zusammenfassung
Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist. This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. It explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up. The book teaches the reader how to mix flesh tones by using only primary colors, and explains how these colors in paints and make-up are sourced and created. It also discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly lighta workspace for successful applications.

Inhalt
ACKNOWLEDGEMENTS FOREWORD INTRODUCTION CHAPTER 1: COLOR THEORY WHY WE SEE COLOR THE VISIBLE SPECTRUM CLASSIFYING COLOR THE COLOR WHEEL WARM & COOL COLORS PRIMARY COLORS SECONDARY COLORS TERTIARY COLORS COLOR RELATIONSHIPS COMPLEMENTARY COLORS COLOR SCHEMES THE 3 ATTRIBUTES OF COLOR HUE, VALUE, & INTENSITY CATEGORIZING COLORS MIXING COLOR TINTS, SHADES, & TONES LIGHT & DARK COLORS COLOR CONSTANCY COLOR SYSTEMS RYB CMY RGB ADDITIVE & SUBTRACTIVE COLOR OPTICAL ILLUSIONS IN COLOR SIMULTANEOUS CONTRAST OPTICAL MIXTURES AFTER-IMAGES IMPRESSIONISM POINTILLISM CHAPTER 2: PIGMENTS & DYES WHAT ARE PIGMENTS & DYES? PIGMENTS DYES EXAMPLES OF PIGMENTS & DYES PIGMENTS & DYES IN MAKE-UP CHARACTERISTICS OF PIGMENTS INORGANIC & ORGANIC PIGMENTS TRANSPARENCY & OPACITY PIGMENT VARIATIONS & MIXTURES CHAPTER 3: FLESH TONES PIGMENTS IN SKIN MAKING FLESH TONES FROM PRIMARY PIGMENTS COLOR BREAKDOWNS CHAPTER 4: APPLYING COLOR THEORY TO BEAUTY MAKE-UP MAKE-UP BASE COLORS UNDERTONES FOUNDATION MATCHING COLORED POWDERS CONCEALERS COLOR CORRECTION SHADOWS & HIGHLIGHTS ADDING COLOR: EYES, CHEEKS & LIPS EYES CHEEKS LIPS MAKE-UP DESIGN BREAKING THE RULES THINGS TO CONSIDER CHAPTER 5: APPLYING COLOR THEORY TO SPECIAL EFFECTS MAKE-UP COLORS IN THE BODY THE CIRCULATORY SYSTEM BLOOD BURNS, BRUISES & SCARS COLD & FROSTBITE SICKNESS & DEATH DIRT & MUD MAKING TATTOOS TEETH PAINTING PROSTHETIC APPLIANCES STIPPLING INTRINSIC COLOR WHEN TO ADD BLACK COLOR INSPIRATION FOR CHARACTER DESIGN PSYCHOLOGICAL EFFECTS OF COLOR COLORS IN NATURE CHAPTER 6: HOW LIGHTING AFFECTS COLOR LIGHTING YOUR WORKSPACE NATURAL LIGHT COLOR TEMPERATURE OF LIGHT LIGHT BULBS MAKEUP ROOMS & TRAILERS COLORED LIGHTING COLOR MIXING WITH LIGHT THREE CHARACTERISTICS OF COLORED LIGHT COLORED GELS ADDING WARM LIGHT ADDING COOL LIGHT LIGHTING FOR THEATER LIGHTING FOR FILM & TV 3 POINT LIGHTING EARLY FILM HD FILM LIGHTING FOR PHOTOGRAPHY COLOR GRADING CONCLUSION BIBLIOGRAPHY GLOSSARY

Produktinformationen

Titel: Color Theory for the Makeup Artist
Untertitel: Understanding Color and Light for Beauty and Special Effects
Autor:
EAN: 9781138095250
ISBN: 978-1-138-09525-0
Format: Kartonierter Einband
Herausgeber: Taylor and Francis
Genre: Kunst
Anzahl Seiten: 152
Gewicht: 409g
Größe: H236mm x B191mm x T9mm
Jahr: 2018
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