Thought-Images

Zusatztext "Masters of the philosophical miniature, Adorno, Benjamin, Bloch, and Kracauer were able to shine light through the smallest cracks in the facade of an increasingly opaque world. Building on their legacy, Gerhard Richter reveals himself to be no less adept at fashioning illuminating thought-images of his own. This collection of scintillating essays is a welcome addition to the ongoing and still lively reception of Frankfurt School ideas." Informationen zum Autor Gerhard Richter is Professor of German at the University ofCalifornia, Davis, where he also teaches in the Graduate Program inCritical Theory. Klappentext Gerhard Richter's book explores the aesthetic and political ramifications of the literary genre of the Denkbild! or thought-image! as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno! Walter Benjamin! Ernst Bloch! and Siegfried Kracauer. Zusammenfassung Gerhard Richter's book explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno, Walter Benjamin, Ernst Bloch, and Siegfried Kracauer.

Autorentext

Gerhard Richter is Professor of German at the University of
California, Davis, where he also teaches in the Graduate Program in
Critical Theory.

Klappentext

In this book, Gerhard Richter explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno, Walter Benjamin, Ernst Bloch, and Siegfried Kracauer. The Denkbild is a poetic mode of writing, a brief snapshot-in-prose that stages the interrelation of literary, philosophical, political, and cultural insights. Richter's careful analysis of the linguistic characteristics of this mode of writing sheds new light on pivotal concerns of modernity, including the fractured cityscape, philosophical problems of modern music, the experience of exiled homelessness, and the disaster of Auschwitz. Thought-Images not only reorients our understanding of the Frankfurt School of Critical Theory in important ways but also establishes significant links between these writers and contemporary French thinkers such as Jacques Derrida.

Zusammenfassung
Gerhard Richter's book explores the aesthetic and political ramifications of the literary genre of the Denkbild, or thought-image, as it was employed by four major German-Jewish writers and philosophers of the first half of the twentieth century: Theodor W. Adorno, Walter Benjamin, Ernst Bloch, and Siegfried Kracauer.