Aristotle Kallis uses comparative analysis in Fascism and Iconoclasm to demonstrate that fascists were supreme icon-lovers even as they were consummate icon-breakers. Kallis shows that Iconoclasm - the wilful destruction of icons - was a core feature of fascist violence, from its early movement days through to the consolidation of political power and until the very end of the fascist epoch. The book looks at how fascist iconoclasm changed significantly over this period and differed in its targets and rituals from case to case, whilst remaining central to the fascist dynamics of rupture and rebirth. It examines several case studies, with a focus on Mussolini''s Italy and Nazi Germany, and underlines how much fascists appreciated and instrumentalized icons and symbols in the pursuit of their revolutionary political project in the process.>

Autorentext
Aristotle Kallis is Professor of Modern and Contemporary History at Keele University, UK. He is the author of Genocide and Fascism (2009), The Third Rome (2014), and Nazi Propaganda in the Second World War (2005), as well as articles and chapters on aspects of fascist violence and cultural production.

Klappentext

A comparative history of fascist violence and symbolic over-production understood through the conceptual lens of iconoclasm.

Inhalt

List of Illustrations
Introduction

1. Fascism, Destructive Creation, Violence
2. The Construction of the False Gods
3. The Production of the Icon
4. Fascist Violence between Performance and Efficiency
5. Iconoclasm from below and from above
6. From Icon-Destruction to Icon-Production
   Conclusions
   Bibliography
   Index