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Zusatztext 99478899 Informationen zum Autor ANNE FRANK was born in 1929 in Germany. Her family moved to Amsterdam in 1933, and she died in the Bergen-Belsen concentration camp in 1945. ARI FOLMAN is a director, screenwriter, and film score composer. He has written for several successful Israeli TV series and was the director and writer of the Oscar-nominated Waltz with Bashir , as well as The Congress , and is working on an animated feature based on The Diary of a Young Girl to be released in 2019. DAVID POLONSKY graduated from Bezalel Academy of Art and Design, Jerusalem. His illustrations have appeared in most of Israel's leading newspapers and magazines and he was the art director and lead artist for the Oscar-nominated Waltz with Bashir . He has illustrated a number of children's books, and received the Israel Museum Ben-Yitzhak Award for the Illustration of Children's Books in 2004 and 2008. Since 1999 he has taught animation and illustration at Bezalel Academy of Arts and Design. Klappentext A timeless story rediscovered by each new generation, The Diary of a Young Girl stands without peer. For both young readers and adults it continues to capture the remarkable spirit of Anne Frank, who for a time survived the worst horror the modern world has seen-and who remained triumphantly and heartbreakingly human throughout her ordeal. Adapted by Ari Folman, illustrated by David Polonsky, and authorized by the Anne Frank Foundation in Basel, this is the first graphic edition of The Diary and includes extensive quotation directly from the definitive edition. It remains faithful to the original, while the stunning illustrations interpret and add layers of visual meaning and immediacy to this classic work of Holocaust literature. Zusammenfassung A timeless story rediscovered by each new generation, The Diary of a Young Girl stands without peer. This graphic edition remains faithful to the original, while the stunning illustrations interpret and add layers of visual meaning and immediacy to this classic work of Holocaust literature. For both young readers and adults The Diary continues to capture the remarkable spirit of Anne Frank, who for a time survived the worst horror the modern world has seenand who remained triumphantly and heartbreakingly human throughout her ordeal. Includes extensive quotations directly from the definitive edition; adapted by Ari Folman, illustrated by David Polonsky, and authorized by the Anne Frank Foundation in Basel....
“[A] stunning, haunting work of art. . . . The comedy of the Diary—*one of the book’s most charming and often overlooked aspects—shines in this form. . . . There are so many wonderful juxtapositions of text and imagery that it feels cruel to focus on only a few, but another consistent standout is the way the graphic novel conveys Anne’s fantasies and emotions—so crucial to the *Diary. . . .  This graphic adaptation is so engaging and effective that it’s easy to imagine it replacing the Diary in classrooms and among younger readers.” —The New York Times Book Review
“Mr. Folman’s has succeeded in capturing the humor and vitality of the diaries—the hilarious sarcasm, the passionate declarations, the contemplative self-reproach—without a trace of retrofitted sentimentality. He owes much to David Polonsky’s sublime illustrations. Every one of Anne’s flights of fancy finds a thrilling and ingenious visual representation. . . . A wonderful, full-page composite image of Anne in her many moods—dreamy, snarky, silly, pensive, outraged or lovesick—is a reminder that the diaries are less about a life’s senseless destruction than about a brilliant young woman eternally coming into being.” —The Wall Street Journal
“Anne Frank’s Diary: The Graphic Adaptation is a masterpiece. Writer Ari Folman and illustrator David Polonsky have produced a vibrant, sensitive portrait of the icon who hid with her parents, sister and four others for two years in the annex of the building in Amsterdam that housed her father’s business. Through text and images of seamless intelligence, Anne emerges as a wryly sophisticated, maturing young lady. . . . Folman expertly balances Anne’s exterior and interior observations. While not minimizing her terrifying circumstances, he focuses more on her wisecracks than on her fears. . . . Polonsky’s extraordinary imagination and draftsmanship propel Anne’s revered diary. . . . This graphic novel is a valuable extension to all the literature that has emanated from Anne Frank’s diary.” —Hadassah Magazine
“In the handling that Folman and Polonsky give it, what happens is nothing short of a revelation . . . nothing has ever quite captured the strange, stubborn delicacy, the forlorn wistfulness, of the diary like this before . . . a genuine work of art.” *—Christian Science Monitor
“Anne Frank's immortal journal gets a new visual energy from David Polonsky's breathtaking artwork. The story is devastating as ever, with Anne's romantic yearnings, adolescent rebellion and razor-sharp wit still shining through.” —Family Circle
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“How does one breathe new life into a tale that is now so familiar that it risks losing its power to shock and instruct? Folman and Polonsky, the duo behind the film Waltz with Bashir, use the right tools to show us how it's done. Some may ask why Anne Frank's story needs a graphic adaptation, but the beauty of these pages provides the answer. It gives readers a strong visual idea of what Anne's secret annex behind a bookcase was like, where she struggled to make sense of her short and tragic life. Another panel shows a hypothetical wedding day that will break your heart all over again.”  *—*Lindsay Pereira, HuffPost
“Ari Folman, the Israeli director of Waltz with Bashir, takes the moving words of Anne Frank’s The Diary of a Young Girl *and, with his *Bashir *art director David Polonsky, creates an engaging, poignant coming-of-age journey. With its cartoon style, imaginative storytelling and teenage Anne’s wide-eyed mood swings, this adaptation leans kid-friendly.” —USA Today
“I wanted to dislike *Anne Frank’s Diary: The Graphic Adaptation because books about Anne usually feel opportunistic or simplistic. But this comic-book version, authorized by the Anne Frank Foundation, is a monumental achievement. In large part that’s because it wears its importance lightly. . . . [I]t captures Anne’s teenage-ness: her love of drama, her rabid jealousy of her perfect sister, Margot, her appreciation of the physical comedy provided by the tacky van Daan adults. She feels like a real person, not a symbol. And there’s so much humor in these illustrations! Polonsky draws kinetically, varying panel size and bringing in little jokes and references from art history and advertising. He draws Anne with mobile, animated features and huge eyes. Folman nimbly provides historical context the original diary lacks; this version clarifies what was happening in the outside world as Anne was writing. But Folman also includes several full pages of unfiltered, unillustrated diary pages, showing real respect for Anne’s writerly voice. In an afterword, Folman says he only used 5 percent of the entire original diary; it feels like much more.” —*Tablet*
“Folman and Polonsky have reclaimed Anne Frank in all of her humanity, and they allow us to witness for ourselves her beauty, courage, vision and imagination, all of the qualities that make her life and early death so heartbreaking. And, in doing so, they …