Porphyria's Lover (Complete Edition)

This carefully crafted ebook: 'Porphyria's Lover (Complete Edition)' is formatted for your eReader with a functional and detailed table of contents. 'Porphyria's Lover' is Browning's first ever short dramatic monologue, and also the first of his poems to examine abnormal psychology. In the poem, a man strangles his lover - Porphyria - with her hair. Porphyria's lover then talks of the corpse's blue eyes, golden hair, and describes the feeling of perfect happiness the murder gives him. Although he winds her hair around her throat 3 times to throttle her, the woman never cries out. The poem uses a somewhat unusual rhyme scheme: A,B,A,B,B, the final repetition bringing each stanza to a heavy rest. Robert Browning (1812-1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.This carefully crafted ebook: 'Porphyria's Lover (Complete Edition)' is formatted for your eReader with a functional and detailed table of contents. 'Porphyria's Lover' is Browning's first ever short dramatic monologue, and also the first of his poems to examine abnormal psychology. In the poem, a man strangles his lover - Porphyria - with her hair. Porphyria's lover then talks of the corpse's blue eyes, golden hair, and describes the feeling of perfect happiness the murder gives him. Although he winds her hair around her throat 3 times to throttle her, the woman never cries out. The poem uses a somewhat unusual rhyme scheme: A,B,A,B,B, the final repetition bringing each stanza to a heavy rest.

This carefully crafted ebook: "Porphyria's Lover (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents.

"Porphyria's Lover" is Browning's first ever short dramatic monologue, and also the first of his poems to examine abnormal psychology. In the poem, a man strangles his lover - Porphyria - with her hair. Porphyria's lover then talks of the corpse's blue eyes, golden hair, and describes the feeling of perfect happiness the murder gives him. Although he winds her hair around her throat 3 times to throttle her, the woman never cries out. The poem uses a somewhat unusual rhyme scheme: A,B,A,B,B, the final repetition bringing each stanza to a heavy rest.

Robert Browning (1812-1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.This carefully crafted ebook: "Porphyria's Lover (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents.

"Porphyria's Lover" is Browning's first ever short dramatic monologue, and also the first of his poems to examine abnormal psychology. In the poem, a man strangles his lover - Porphyria - with her hair. Porphyria's lover then talks of the corpse's blue eyes, golden hair, and describes the feeling of perfect happiness the murder gives him. Although he winds her hair around her throat 3 times to throttle her, the woman never cries out. The poem uses a somewhat unusual rhyme scheme: A,B,A,B,B, the final repetition bringing each stanza to a heavy rest.

Robert Browning (1812-1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

Autorentext
David Kirk is an English teacher living and working in Sendai, Japan. He grew up in Stamford, Lincolnshire, and attended university at Royal Holloway, University of London, graduating with first class honours in Media Arts. His first novel, Child of Vengeance, was published in 2013. Visit www.davidkirkfiction.com for more information.

Zusammenfassung
Scholar. Warrior. Samurai.

His name was Bennosuke, son of the great Munisai Shinmen, known throughout the empire as one of the greatest warriors who ever lived.

His destiny was to become a great warrior like his father - a Samurai, one of the most feared and respected in the world.

But before fame comes action, and Bennosuke must prove himself on the battlefield before he can claim his inheritance. And in his way stands the vengeful Hayato, son of Lord Nakata, the face of the enemy, a man who is determined to kill Bennosuke.

It is a battle between honour and vengeance, pride and reputation. And Bennosuke must look death in the eye before he can call himself a warrior. Before he can call himself Musashi, the greatest warrior of all time…

Leseprobe
CHAPTER II
EARLY WORKS Table of Contents

In 1840 Sordello was published. Its reception by the great majority of readers, including some of the ablest men of the time, was a reception of a kind probably unknown in the rest of literary history, a reception that was neither praise nor blame. It was perhaps best expressed by Carlyle, who wrote to say that his wife had read Sordello with great interest, and wished to know whether Sordello was a man, or a city, or a book. Better known, of course, is the story of Tennyson, who said that the first line of the poem -

"Who will, may hear Sordello's story told,"

and the last line -

"Who would, has heard Sordello's story told,"

were the only two lines in the poem that he understood, and they were lies.

Perhaps the best story, however, of all the cycle of Sordello legends is that which is related of Douglas Jerrold. He was recovering from an illness; and having obtained permission for the first time to read a little during the day, he picked up a book from a pile beside the bed and began Sordello. No sooner had he done so than he turned deadly pale, put down the book, and said, "My God! I'm an idiot. My health is restored, but my mind's gone. I can't understand two consecutive lines of an English poem." He then summoned his family and silently gave the book into their hands, asking for their opinion on the poem; and as the shadow of perplexity gradually passed over their faces, he heaved a sigh of relief and went to sleep. These stories, whether accurate or no, do undoubtedly represent the very peculiar reception accorded to Sordello, a reception which, as I have said, bears no resemblance whatever to anything in the way of eulogy or condemnation that had ever been accorded to a work of art before. There had been authors whom it was fashionable to boast of admiring and authors whom it was fashionable to boast of despising; but with Sordello enters into literary history the Browning of popular badinage, the author whom it is fashionable to boast of not understanding.

Putting aside for the moment the literary qualities which are to be found in the poem, when it becomes intelligible, there is one question very relevant to the fame and character of Browning which is raised by Sordello when it is considered, as most people consider it, as hopelessly unintelligible. It really throws some light upon the reason of Browning's obscurity. The ordinary theory of Browning's obscurity is to the effect that it was a piece of intel…