Loredana

In 1700, a Venetian priest, Fra Benedict Loredan, compiles an assembly of documents - letters, written confessions, top-secret state files, diary excerpts, pieces of a secret chronicle - which together tell the story of two lovers caught up in a dangerous and controversial revolutionary movement which attempted to do away with the two-tiered city of Venice: Leonardo da Vinci's architectural dream to segregate the rich and the poor described in his Notebooks and realised in this novel. At the centre of the narrative are two written confessions, one by a young girl from an aristocratic family - Loredana Loredan Contarini - who writes of her disastrous marriage to a sadomasochistic tyrant and her subsequent involvement with a revolutionary Friar - himself the second confessor. As both struggle to tell their tales and confess their sins, we are shown around the city of Venice as it might have been in the sixteenth-century and given pieces of a narrative which together form an explosive whole.

Vorwort
A riveting novel of politics and passion, love and lust, in sixteenth-century Venice, written by one of our most distinguished historians.

Autorentext

One of the world's foremost authorities on the Italian Renaissance, Lauro Martines was born in Chicago, has a Ph. D from Harvard University, but has lived in London since 1970. Until recently, he commuted to Los Angeles, where he was Professor of European History at the University of California. He and his wife, the novelist Julia O'Faolain, lived for some years in Florence. His books include Lawyers and Statecraft in Renaissance Florence, Power and Imagination: City States in Renaissance Italy, Society and History in English Renaissance Verse, An Italian Renaissance Sextet: Six Tales in Historical Context, Strong Words: Writing and Social Strain in the Italian Renaissance, and April Blood: Florence and the Plot Against the Medici. This is his first novel.