Beschreibung

Thousands of people were driven into exile by Germany's National Socialist. For many artists Paris became a temporary capital. The archives of these exiles were stolen, confiscated, and often destroyed, but also frequently preserved. This book assesses unknown source material stored at the Moscow State Military Archive since the end of the war, and offers new insights into the activities of German-speaking exiles in the 1930s in Paris and Europe.

Dr. Ines Rotermund-Reynard, Kunsthistorikerin, assozierte Wissenschaftlerin des Deutschen Historischen Instituts Moskau und des Deutschen Forums fur Kunstgeschichte Paris (Arbeitsplatz Paris), Projektleiterin des Post-Doc-Forschungsprojekts und der internationalen Tagung in Moskau "Wie das zweite Exil das erste zum Sprechen bringt - Moskauer Archive und die Kunste in Paris 1933 - 1945."

Thousands of people were driven into exile by Germany's National Socialist regime from 1933 onward. For many German-speaking artists and writers Paris became a temporary capital. The archives of these exiles became "displaced objects" - scattered, stolen, confiscated, and often destroyed, but also frequently preserved. This book assesses previously unknown source material stored at the Moscow State Military Archive (RVGA) since the end of the war, and offers new insights into the activities of German-speaking exiles in the 1930s in Paris and Europe. Against the backdrop of current debates surrounding displaced cultural goods and their restitution, this work seeks to facilitate a transnational, interdisciplinary scientific dialogue.

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