Musical Form and Transformation

Distinguished music theorist and composer David Lewin (1933-2003) applies the conceptual framework he developed in his earlier, innovative Generalized Musical Intervals and Transformations to the varied repertoire of the twentieth century in this stimulating and illustrative book. Analyzing the diverse compositions of four canonical composers--Simbolo from Dallapiccola's Quaderno musicale di Annalibera ; Stockhausen's Klavierstuck III ; Webern's Op. 10, No. 4; and Debussy's Feux d'articifice --Lewin brings forth structures which he calls "transformational networks" to reveal interesting and suggestive aspects of the music. In this complementary work, Lewin stimulates thought about the general methodology of musical analysis and issues of large-scale form as they relate to transformational analytic structuring. Musical Form and Transformation , first published in 1993 by Yale University Press, was the recipient of an ASCAP Deems Taylor Award.

Autorentext

Over his 42-year teaching career, David Lewin taught composition, with an increasing focus on music theory, at the University of California at Berkeley, the State University of New York at Stony Brook, Yale University, and finally at Harvard University. Among his music-theoretic writings are many articles and books, including Generalized Musical Internvals and Transformations (Yale, 1987) and Studies in Music with Text (posthumous, Oxford 2006). He was the recipient of honorary doctoral degrees from the University of Chicago, the New England Conservatory of Music, and the Marc Bloch University, Strasbourg, France, for his work in music theory.

Inhalt

Foreword by Ed Gollin Introduction 1. Serial Transformation Networks in Dallapiccola's "Simbolo" 2. Making and Using a Pcset Network for Stockhausen's Klavierstuck III 3. Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4 4. A Transformational Basis for Form and Prolongation in Debussy's "Feux d'Artifice" References Index